Music in Everyday Life 2000
DOI: 10.1017/cbo9780511489433.004
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Music as a technology of self

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Cited by 36 publications
(57 citation statements)
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“…This is in line with previous research stating that musically supported reminiscence is vital for the well-being of adults of all ages (Groarke & Hogan, 2016). Those reflective processes supported by music are important, because they are conducive to the construction of self-identity (Saarikallio, 2010) and convey a sense of belonging by bringing back memories of significant others (DeNora, 1999;Groarke & Hogan, 2016).…”
Section: Reminiscencesupporting
confidence: 91%
“…This is in line with previous research stating that musically supported reminiscence is vital for the well-being of adults of all ages (Groarke & Hogan, 2016). Those reflective processes supported by music are important, because they are conducive to the construction of self-identity (Saarikallio, 2010) and convey a sense of belonging by bringing back memories of significant others (DeNora, 1999;Groarke & Hogan, 2016).…”
Section: Reminiscencesupporting
confidence: 91%
“…Young adults and adolescents cite the experience of emotion as one of the central reasons that they listen to music (Panksepp, 1995;Wells & Hakanen, 1991). Adults intentionally use music for mood regulation, often to change a mood induced by a prior context, induce a mood to prepare for a future event, or to vent an emotion (DeNora, 1999;Sloboda, 1999). These data support the theory that music serves the function of mood optimization, as suggested by Zillman (1988).…”
Section: Do Musically Induced Emotions Have Functionality?supporting
confidence: 58%
“…For instance, Thayer, Newman, and McClain (1994) found music listening to be second in success at changing a bad mood, raising energy, and reducing tension when compared to 18 other regulatory strategies such as humor or physical exercise. Music has been proposed to serve as a means for self-therapy (DeNora, 1999;Sloboda & O'Neill, 2001), have beneficial effects on stress reduction (Pelletier, 2004), and enhance mood improvement and coping both in everyday life contexts (e.g., Saarikallio & Erkkilä, 2007) and in clinical settings (e.g., Kenny & Faunce, 2004;Särkämö et al, 2008). Recent research has investigated central processes of music-related mood regulation identifying music-related regulatory goals and strategies (Saarikallio & Erkkilä, 2007;Van Goethem, 2009) as well as various music-related emotion induction mechanisms causing the mood change (e.g., Juslin & Västfjäll, 2008).…”
mentioning
confidence: 99%