2015
DOI: 10.1016/bs.pbr.2014.11.023
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Music and its association with epileptic disorders

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Cited by 14 publications
(9 citation statements)
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“…epileptic seizures induced by music, has been known of since at least the late 1930s, as Oliver Sacks mentions in his book “Musicophilia” [18]. At the same time, music has the potential to reduce seizure activity: “The dichotomous effect of music on seizures may be explained by modification of dopaminergic circuitry or counteractive cognitive and sensory input in ictogenesis” [19]. In a recent systematic review [20], eight publications were identified in which the influence of music by W.A.…”
Section: Resultsmentioning
confidence: 99%
“…epileptic seizures induced by music, has been known of since at least the late 1930s, as Oliver Sacks mentions in his book “Musicophilia” [18]. At the same time, music has the potential to reduce seizure activity: “The dichotomous effect of music on seizures may be explained by modification of dopaminergic circuitry or counteractive cognitive and sensory input in ictogenesis” [19]. In a recent systematic review [20], eight publications were identified in which the influence of music by W.A.…”
Section: Resultsmentioning
confidence: 99%
“…4,9-11 However, since acoustic stimuli are not usually applied during routine electroencephalogram (EEG) in the assessment of epilepsy, the possibility of prevalence being higher is very plausible. 4,5,9,12 The mean age of onset is at 28 years old (range: 2-67 years). 3,4,9,10,12…”
Section: Epidemiologymentioning
confidence: 99%
“…4,9,10 Curiously, some reports suggest that seizures may be triggered not only by the act of listening to music, but also in situations where patients are playing their instrument, or even just thinking about a certain song or sound. 2,4,12,16…”
Section: Music As a Trigger For Epilepsymentioning
confidence: 99%
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“…In the healthy brain, there is already mounting evidence that a large-scale bilateral network of temporal, frontal, parietal, cerebellar, and limbic/paralimbic brain areas associated with auditory perception, language, syntactic and semantic processing, attention and working memory, semantic and episodic memory, rhythmic and motor functions, and emotions and reward underlies the processing of music (Koelsch, 2011 , 2014 ; Zatorre and Salimpoor, 2013 ; Janata, 2015 ) and to which extent this neural network could be shaped by musical training (Kraus and Chandrasekaran, 2010 ; Herholz and Zatorre, 2012 ; Brown et al, 2015 ). In the field of neurology, music has traditionally been studied in the context of musical deficits (e.g., amusia; Peretz et al, 2003 ), music-related symptoms (e.g., musicogenic epilepsy; Maguire, 2015 ), cases of exceptional or preserved musical functions (e.g., singing in aphasia; Johnson and Graziano, 2015 ), and neurological disorders of professional musicians (e.g., musician's dystonia; Altenmüller et al, 2015 ).…”
mentioning
confidence: 99%