Music After Deleuze

Campbell, Edward

doi:10.5040/9781472548092

Cited by 57 publications

(3 citation statements)

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“…We may see the first as a quantitative, measured time, while the second as a qualitative time. A similar distinction appears in Pierre Boulez's lessons in Darmstadt, with a distinction between pulsed and un-pulsed time (Campbell 2013). We can subdivide time in small parts, but some elements allow us to perceive it as a smooth time in a Gestalt perspective.…”

Section: Discussion: Open Questions and A Possible Cognitive Experimentsmentioning

confidence: 70%

Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization

Mannone

Favali

Donato

et al. 2020

Journal of Mathematics and Music

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Mathematics can help analyze the arts and inspire new artwork. Mathematics can also help make transformations from one artistic medium to another, considering exceptions and choices, as well as artists' individual and unique contributions. We propose a method based on diagrammatic thinking and quantum formalism. We exploit decompositions of complex forms into a set of simple shapes, discretization of complex images, and Dirac notation, imagining a world of "prototypes" that can be connected to obtain a fine or coarse-graining approximation of a given visual image. Visual prototypes are exchanged with auditory ones, and the information (position, size) characterizing visual prototypes is connected with the information (onset, duration, loudness, pitch range) characterizing auditory prototypes. The topic is contextualized within a philosophical debate (discreteness and comparison of apparently unrelated objects), it develops through mathematical formalism, and it leads to programming, to spark interdisciplinary thinking and ignite creativity within STEAM.

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Section: Discussion: Open Questions and A Possible Cognitive Experimentsmentioning

confidence: 70%

Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization

Mannone

Favali

Donato

et al. 2020

Journal of Mathematics and Music

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“…In the field of music studies, it has been productively employed to acknowledge the multiplicity and variety of entities and forces that make up any musical event. Thereby, it allowed the contingency of musical composition (Campbell 2013), improvisation (Cobussen 2017) or performance (Nesbitt 2010) to be accounted for, by conceiving them not as symbolic practices exclusive to humans, but as emerging from transversal connections between a host of human and non-human actants. Thus, as Moisala et al (2017b, p. 18) note, an important feature of assemblage thinking is that it 'enables the acknowledgement of the active agency of matter and non-human entities and forces', As such, it can help to better elucidate the nature of the bees' involvement in the project.…”

Section: Immanence and Agency In Musicking Assemblagesmentioning

confidence: 99%

Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress’ the Hive

Szarecki

2023

Pop. Mus.

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The paper introduces the concept of musicking assemblages to account for the agency of non-human actants in a project by contemporary artist, Wolfgang Buttress, that involved creating a musical soundscape together with bees. Collapsing distinctions between popular music, contemporary art and scientific research, the project exhibits musicking not as a result of human action but as emerging from intensive flows of matter-energy circulating between a multiplicity of actants, both human and non-human. Consequently, it presupposes a materialist ontology that breaks with anthropocentric hierarchies and encourages us to rethink popular music as always already involving ‘becoming with’ non-human others, in a way that overcomes the division between culture and nature, as well as its epistemological corollaries.

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“…Perhaps unsurprisingly, coherence as understood in tonal forms of music therefore becomes an easy and early casualty of the modernist artistic agenda to occult organization, wrenching musical variation away from a centralized and salient prototype such as a motive or theme. Difference was privileged over repetition (Campbell, 2013), resulting in the divorce of any strong sense of a work's internal unity from the act of listening. One conspicuous difference between music composed during the modernist period and, generally speaking, music composed post-1970, is the latter period's aesthetic reaction to and subversion of post-war modernism in the form of increased emphasis on experiential coherence (Hutchinson, 2016), often without forsaking structural rigor (Losada, 2009).…”

Section: Mnemonic Affordance and Aesthetic Intention In Post-tonal Musicmentioning

confidence: 99%

Neuroscience and New Music: Assessing Behavioral and Cerebral Aspects of Its Perception, Cognition, Induction, and Entrainment

2022

Frontiers Research Topics

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Frontiers is more than just an open-access publisher of scholarly articles: it is a pioneering approach to the world of academia, radically improving the way scholarly research is managed. The grand vision of Frontiers is a world where all people have an equal opportunity to seek, share and generate knowledge. Frontiers provides immediate and permanent online open access to all its publications, but this alone is not enough to realize our grand goals. Frontiers Journal SeriesThe Frontiers Journal Series is a multi-tier and interdisciplinary set of open-access, online journals, promising a paradigm shift from the current review, selection and dissemination processes in academic publishing. All Frontiers journals are driven by researchers for researchers; therefore, they constitute a service to the scholarly community. At the same time, the Frontiers Journal Series operates on a revolutionary invention, the tiered publishing system, initially addressing specific communities of scholars, and gradually climbing up to broader public understanding, thus serving the interests of the lay society, too. Dedication to QualityEach Frontiers article is a landmark of the highest quality, thanks to genuinely collaborative interactions between authors and review editors, who include some of the world's best academicians. Research must be certified by peers before entering a stream of knowledge that may eventually reach the public -and shape society; therefore, Frontiers only applies the most rigorous and unbiased reviews. Frontiers revolutionizes research publishing by freely delivering the most outstanding research, evaluated with no bias from both the academic and social point of view. By applying the most advanced information technologies, Frontiers is catapulting scholarly publishing into a new generation.

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Music After Deleuze

Cited by 57 publications

References 0 publications

Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization

Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization

Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress’ the Hive

Neuroscience and New Music: Assessing Behavioral and Cerebral Aspects of Its Perception, Cognition, Induction, and Entrainment

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