Museum visitor preference for the physical properties of 3D printed replicas

Wilson, Paul F.; Stott, Janet; Warnett, Jason M.; Attridge, Alex; Smith, M. Paul; Williams, Mark A.

doi:10.1016/j.culher.2018.02.002

Cited by 42 publications

(32 citation statements)

References 45 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Numa pesquisa feita para o Museum of Natural History da Universidade de Oxford, Wilson et al (2018) tiveram por objetivo explorar a experiência dos visitantes a respeito da sensação háptica em réplicas impressas em 3D. O estudo avaliou a preferência do usuário pelas propriedades físicas das esculturas produzidas com manufatura aditiva e fez uma relação entre a qualidade háptica percebida com o custo do produto percebido como os aspectos mais importante para a preferência do usuário para eleger um tipo de tecnologia.…”

Section: Designunclassified

“…Existem amplas pesquisas em relação às peculiaridades, restrições, desempenhos técnicos e mecânicos dos diversos processos para a manufatura aditiva, no entanto, faltam procedimentos para pontuar alternativas de melhoria do processo de design, com base na satisfação do usuário final. Há também uma carência de pesquisas sobre os aspectos emocionais e percebíveis voltados para manufatura aditiva (WILSON et al, 2018;BACCIAGLIA et al, 2019;BORGIANNI et al, 2019).…”

Section: Introductionunclassified

See 1 more Smart Citation

A Qualidade Percebida dos Produtos Fabricados por Impressão 3D FDM (Fused Deposition Modeling): Uma Revisão Sistemática de Literatura com Ênfase na Satisfação do Usuário Final

Sánchez¹,

Silva²

2020

Ergonomia E Tecnologia [Em Foco]

View full text Add to dashboard Cite

A fabricação convencional de produtos consiste principalmente em processos subtrativos e de conformação, onde cada peça é moldada por remoção de material; preenchimento de cavidades de moldes ou deformação plástica (fresagem, torneamento, injeção, estampagem, etc.). Já a fabricação aditiva é um processo de manufatura contemporâneo em que um produto é fabricado adicionandomateriais, camadas por camadas até obter um volume desejado, anteriormente chamado de prototipagem rápida ou impressão 3D (GIBSON et al., 2010; UPADHYAY et al., 2016).

show abstract

Section: Designunclassified

Section: Introductionunclassified

A Qualidade Percebida dos Produtos Fabricados por Impressão 3D FDM (Fused Deposition Modeling): Uma Revisão Sistemática de Literatura com Ênfase na Satisfação do Usuário Final

Sánchez¹,

Silva²

2020

Ergonomia E Tecnologia [Em Foco]

View full text Add to dashboard Cite

show abstract

“…Methodology inductive creation of the categories was used to define categories of the replicas surface texture, weight and aesthetic value. The results found out that the most important was verisimilitude, robustness, quality (Wilson et al, 2018).…”

Section: Introductionmentioning

confidence: 97%

“…Many researchers discovered that 3D prints are risk-free accurate reproductions of a cultural and natural heritage artefacts which physical properties are important. Authors Wilson et al (2018) demonstrated that when considering semantic differentials, exploratory factor analysis and statistic physical properties of 3D printed replicas can be evaluated by the visitors of the museums. In the research, six different 3D prints were analysed produced with different 3D printing technologies.…”

Section: Introductionmentioning

confidence: 99%

Determining the Framework for Žižka Monument 3d Reproduction

Kočevar¹,

Škerjanc²,

Porok³

et al. 2018

Proceedings of 9th International Symposium on Graphic Engineering and Design

View full text Add to dashboard Cite

In this research the development of the framework for 3D interpretation of Plečnik's Žižka Monument is presented. Jože Plečnik was a very known Slovenian architect, that design many personal, public and sacral buildings, mainly in Ljubljana, Wien and Prague. The design of Jan Žižka (Czech commander-in-chief) monument was never realised and was therefore a subject of the research of Plečnik's specialists. The features of the monument can be, according to their shape, topology and level of details, basically divided in two parts, i.e. 1. architectural part that is chalice-like stage and 2. eight human and one animal (horse) models that are more organic and highly detailed. The experimental part presents a framework for the inventory of available documentation that were collected and categorised, processed and selected with the purpose of further procedures. After the examination and the analysis of the documentation, the next step of determination and extraction of graphic, artistic and stylistic information from the documents were performed and implemented in 3D models of architectural and sculptural part. The research included also preparation of the models, 3D printing, assembly and finishing. The last phases of the framework were defined as exhibition, promotion and evaluation. In the results the overall framework for the creation and construction of 3D interpretation is presented and estimated.

show abstract

“…The use of replicas made with 3D printing technologies for museums is not new. There are several studies that explore this subject (Allard et al 2005, Balletti et al 2017, from its production to the interaction that museum visitors have with this objects (Neumüller 2014;Franco et al 2015;Wilson 2018). However, in the context of conservation and restoration, the reconstruction of volumetric elements is an unwell developed theme (Scopigno et al 2014;Santos Gómez, 2016).…”

Section: Introductionmentioning

confidence: 99%

Restoration of an 18th century frame: 3D modelling, printing and matching color of decorative flowers elements

Henriques

Bailão

Rocha

et al. 2020

GEC

View full text Add to dashboard Cite

This paper describes the application of 3D digital technology to support the rebuild of lost decorative elements of an historical frame. The frame belongs to an 18th century painting depicting the portrait of D. José, Prince of Brazil, displayed at the National Palace of Queluz, Portugal. The application of digital technologies has been planned from the very beginning in order to avoid the traditional use of silicone in the reproduction of missing elements. The photogrammetric 3D acquisition, a non-contact methodology, has been used to reduce the manipulation and hence prevent further degradation of the artistic object. Following the 3D modelling operation, new decorative elements were made using an additive printing technology. In the final phase of the work, the post-printing treatment was carried out, in which aqueous products were used. 3D modelling, in addition to facilitate the restoration treatment of the historic frame, can also be useful in the creation of a digital collection of decorative frame elements, i.e. a virtual database.

show abstract

Museum visitor preference for the physical properties of 3D printed replicas

Cited by 42 publications

References 45 publications

A Qualidade Percebida dos Produtos Fabricados por Impressão 3D FDM (Fused Deposition Modeling): Uma Revisão Sistemática de Literatura com Ênfase na Satisfação do Usuário Final

A Qualidade Percebida dos Produtos Fabricados por Impressão 3D FDM (Fused Deposition Modeling): Uma Revisão Sistemática de Literatura com Ênfase na Satisfação do Usuário Final

Determining the Framework for Žižka Monument 3d Reproduction

Restoration of an 18th century frame: 3D modelling, printing and matching color of decorative flowers elements

Contact Info

Product

Resources

About