Museu de Arte de São Paulo Assis Chateaubriand (MASP) (São Paulo Art Museum) (1947–)

Rezende, Livia

doi:10.5040/9781472596161-bed-m113

The Bloomsbury Encyclopedia of Design 2016

DOI: 10.5040/9781472596161-bed-m113

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Museu de Arte de São Paulo Assis Chateaubriand (MASP) (São Paulo Art Museum) (1947–)

Livia Rezende¹

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2022

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Space, modernity and whiteness: notes from Cidade Ademar (SP)

Silva

2022

Rev. Bras. Estud. Urbanos Reg.

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In this article I attempt to reclaim the notion of space and its construction as a modern category oriented by raciality, by the onto-epistemological pillars of separability, determinacy and sequentiality, based on a universal pretension. I contrast modern space with place-space, as proposed by Muniz Sodré, in order, in the midst of this contrast, to glimpse other possibilities of understanding and of inhabiting space. Thus, I present the ongoing movements of urban renewal in Cidade Ademar (SP) while playing with affectability as a way to explore the cracks, which modern spatial representation seeks to hide in the district. Lastly, I attempt to present/confront the modern subject who hides himself under a cloak of rationality and universality, who organizes and appropriates the space he continually names, in order to denaturalize the modern/colonial violence that suppresses other spatial understandings oriented by relationality, or by affectability.

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Space, modernity and whiteness: notes from Cidade Ademar (SP)

Silva

2022

Rev. Bras. Estud. Urbanos Reg.

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Museu de Arte de São Paulo Assis Chateaubriand (MASP) (São Paulo Art Museum) (1947–)

Cited by 1 publication

References 0 publications

Space, modernity and whiteness: notes from Cidade Ademar (SP)

Space, modernity and whiteness: notes from Cidade Ademar (SP)

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