Multiple Digital Economy: Semiotics and Discursive Practices

Olyanitch, Andrew V.; Khachmafova, Zaineta R.; Makerova, Susanna R.; Akhidzhakova, Marjet P.; Ostrovskaya, Tatiana A.

doi:10.1007/978-3-030-29586-8_51

Cited by 4 publications

(2 citation statements)

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“…The gender approach in linguistic research is determined by the need to consider the communicative behavior of an individual in relation to cultural traditions, norms and stereotypes [12]. It is known that gender relations are fixed in the language in the form of culturally determined stereotypes, leaving an imprint on the speech behavior of the individual and on the processes of its socialization [13].…”

Section: Resultsmentioning

confidence: 99%

The gender specifications of the emotional representation in a communication space

et al. 2021

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The purpose of the article is to describe the gender peculiarities of the objectification of emotions in the verbal and non-verbal aspects of the communicative behavior of female and male characters in a literary text. Of interest is the study of the features of the representation of emotions in the literary text, taking into account the factor of gender influence on the communicative behavior of a person and the choice of language means. Text fragments which most clearly described the emotional experiences and states of female and male characters were selected by a continuous sampling method from the modern literary compositions of the 20th - 21st centuries written in Russian by women and men. Features of emotion explication were analyzed taking into account gender identity in texts of literary prose. Gender preferences in the choice of language means of expressing emotions in speech were identified. The following research methods were used to achieve the objectives: a descriptive method involving analysis, comparison and classification of language facts; contextual analysis method. The practical significance of the work is the possibility of applying the main conclusions and results of the investigation in theoretical courses in linguistic studies of emotions and gender.

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Section: Resultsmentioning

confidence: 99%

The gender specifications of the emotional representation in a communication space

et al. 2021

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“…The research interest in studying the features of objectification of the emotion of indignation in artistic discourse is determined by the fact that "all fiction is a depository of emotions: it describes emotional categorical situations, verbal and non-verbal emotional behavior of a person, as well as ways, means and methods of communication of emotions [11].…”

Section: The Main Partmentioning

confidence: 99%

Means of expressing emotions in the engineering profession

2020

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The paper examines the language means representing indignation emotion in art communication on the basis of material of the Russian and German languages. The purpose of the paper is to describe and analyze the language means of objectification of an emotional condition of indignation the artistic discourse in the author`s and character’s speech. To achieve the goal the following methods of research are used: descriptive, contextual and stylistic-pragmatic analyses and linguistic observation technique. Fiction texts of classical and modern literature in the Russian and German languages have served as the practical material for this research. It has been established that the emotional condition of indignation in the artistic discourse is expressed by verbal and non-verbal means through the direct nomination of this emotion, as well as by means of the description. The theoretical importance of the research lies in the studying of the mechanisms of linguistic indignation emotion expression means in the artistic discourse.

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