Multimodal digital archiving and reproduction of the world cultural heritage "Gion Festival in Kyoto"

Tanaka, Hiromi T.; Hachimura, Kozaburo; Yano, Keiji; Tanaka, Satoshi; Furukawa, Kohei; Nishiura, Takanobu; Tsutida, Masaru; Choi, Woong; Wakita, Wataru

doi:10.1145/1900179.1900183

Cited by 14 publications

(8 citation statements)

References 9 publications

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“…These devices were used in The Haptic Museum [31], in The Fire and the Mountain [14], in The Gold Museum in Bogotá [15], in the Museu3I [32] and in the National Archaeological Museum of Marche [19]. More immersive approaches such as CAVE systems (a small room where at least three walls act as huge screens) and HMD (head-mounted display) devices also emerged, for instance in Museum of Pure-Form [33], the CREATE project [34], and in the Gion Festival in Kyoto [35], using CAVES; and The Feelies [36], the Interactive Haptic System for Archery [16] or the Tanning in Medieval Coventry [26], using HMDs. We may notice that the Zelige Door on Golborne Road [37] and the M5SAR project [30] were the only studies detected, so far, which had used mobile devices for providing visual exploration in multisensory applications in CH.…”

Section: A Multisensory Systems In Chmentioning

confidence: 99%

“…For audio delivery, speakers were the most common approach for this type of applications, being identified in cases such as The Museum of Pure-Form [33], the CREATE project [34], the Gion Festival in Kyoto [35], or the in the Gold Museum in Bogotá [15]. Experiences which aimed to provide a more individual experience, such as the Tate Sensorium [28], or The Feelies [36], used headphones for the audio experience.…”

Section: A Multisensory Systems In Chmentioning

confidence: 99%

“…Haptic sensations are being provided mainly through the use of haptic interfaces, like the Gion Festival in Kyoto [35], the Gold Museum in Bogotá [15], the Museu3I [32], and the Tate Sensorium [28]; fans and heaters are also a frequent approach, such as provided in The Feelies [36], in the tanning in Medieval Coventry [26], and in the M5SAR project [30].…”

Section: A Multisensory Systems In Chmentioning

confidence: 99%

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Development and Evaluation of an Outdoor Multisensory AR System for Cultural Heritage

et al. 2021

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Enhancing tourist visits to cultural heritage sites by making use of mobile augmented reality has been a tendency in the last few years, presenting mainly audiovisual experiences. However, these explorations using only visuals and sounds, or narratives, do not allow users to be presented with, for example, a particular smell that can be important to feel engaged or to better understand the history of the site. This paper pursues the goal of creating an experience that puts the user in a scene planned to evoke several stimuli with SensiMAR prototype-a Multisensory Augmented Reality system that aims to be used in cultural heritage outdoors. When using SensiMAR, the user will be involved with visual reconstructions, surrounded by the soundscape of ancient times, and is exposed to a particular smell very common that time. Given the novelty of this proposal, ascertaining the usability of such a system was raised as a foremost demand. Thus, in addition to its development and implementation specifications, an experimental study was conducted to evaluate the usability of the system in end-users' perspective. The results obtained from random visitors of an archaeological site were analysed according to their sex, age, previous experience with augmented reality technology, and provided condition-audiovisual condition, and multisensory condition, with visual, audio, and smell stimuli. Results were collected from a total of 67 participants and show that this multisensory prototype achieved good usability results across all groups. No statistically differences were found, demonstrating good usability of the SensiMAR system regardless of their sex, age, previous experience with the technology or provided condition. INDEX TERMS Mobile Augmented Reality, Multisensory in Cultural Heritage, Usability of Multisensory AR Outdoors I. INTRODUCTION L ITERATURE supports the use of augmented reality (AR) for enhancing visitors' experiences in cultural heritage (CH) contexts for multifarious reasons. It has been demonstrated to evoke feelings of pleasure and arousal [1], to promote cultural heritage [2], to increase multicultural place meaning and openness to other cultures and traditions [3], to enable enjoyable informal learning [4] and, in addition to these social, epistemic and educational values, many other benefits came across such as economic, experiential, cultural and historical value [5]. Among the diverse AR solutions proposed and implemented in CH contexts, many of them are found as being mobile approaches, such as in urban heritage for tourism in Dublin, Ireland [6]; in travel guides

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Section: A Multisensory Systems In Chmentioning

confidence: 99%

Section: A Multisensory Systems In Chmentioning

confidence: 99%

Section: A Multisensory Systems In Chmentioning

confidence: 99%

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Development and Evaluation of an Outdoor Multisensory AR System for Cultural Heritage

et al. 2021

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“…In this study, we focused on the digital archive of the Gion festival [2] [3], which is one of the three biggest festivals in Japan. As shown in Fig.…”

Section: Introductionmentioning

confidence: 99%

Interactive Acoustic Sound Field Reproduction with Web System for Gion Festival

Fukumori

Nakayama

Nishiura

et al. 2013

2013 International Conference on Culture and Computing

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In this study, we try to create a digital archive for festival music, which are called "Ohayashi" in Japanese, for the Yamahoko parade of the Gion festival in Kyoto, Japan. The festival music, which consists of Japanese traditional drums, flutes, bells, ambient noise, sounds of floats moving, and shouts during the parade, need to be reproduced to create the authentic atmosphere of the Gion festival. To reproduce a high-quality sound field, we recorded some festival music including these sounds in the Yamahoko parade. After that, we tried to reproduce the festival music using a web system linked to the map of a Yamahoko float to construct a more interactive acoustic sound field. This system reproduces the Ohayashi at particular positions along the route when the user clicks on any position of the float route.

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“…In the digital museum project [Tanaka et al 2010], we are working on the digital archiving of the intangible cultural heritage "Gion Festival in Kyoto", focused on the culture of Kyoto, and developed a multi-modal VR exhibition system.…”

Section: Introductionmentioning

confidence: 99%

High-definition and multispectral capturing for digital archiving of large 3D woven cultural artifacts

Wakita

Tsuchida

Tanaka

et al. 2012

ACM SIGGRAPH 2012 Posters on - SIGGRAPH '12

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Multimodal digital archiving and reproduction of the world cultural heritage "Gion Festival in Kyoto"

Cited by 14 publications

References 9 publications

Development and Evaluation of an Outdoor Multisensory AR System for Cultural Heritage

Development and Evaluation of an Outdoor Multisensory AR System for Cultural Heritage

Interactive Acoustic Sound Field Reproduction with Web System for Gion Festival

High-definition and multispectral capturing for digital archiving of large 3D woven cultural artifacts

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