In July 1793, heralding the first anniversary of the French Republic that ousted the Bourbon monarchy, the new government issued a decree that shocked Europe and haunts France still. To punish the vanity of the deposed "tyrants" and to cleanse the nation of their memory, the National Convention ordered the destruction of the ancient royal tombs, 1 most of which were in the basilica of St-Denis, near Paris-for centuries France's royal necropolis, deconsecrated in 1793 and its Benedictine monks disbanded. Operations proceeded in two stages to coincide with programs that symbolically consolidated the new republic.2 For the Festival of Reunion on August 10 that marked its birth, the coffins of the oldest dynasties in the upper church of St.-Denis were emptied, lead removed for recasting, and the remains moved to a trench by the demolished Valois Chapel. The Bourbon crypt was opened as a prelude to Marie-Antoinette's execution on October 16 (Louis was beheaded the prior January 21) and the remains (including hearts and entrails) dumped in a new trench. The bodies of the preceding Valois dynasty followed into a third trench, along with any corpses still left. The transfer dismembered most cadavers before the quicklime deposited on top could corrode them. In 1817, when the restored Bourbon monarchy returned the remains to the basilica, all that survived intact were the lower portions of three corpses. The fragments of about one hundred and fifty-eight once-sacred bodies fit into two large ossuaries in the crypt.Their funerary monuments in the upper church were also symbolically executed. Metal monuments were melted down for arms and marbles removed until the Bourbons returned them to St-Denis twenty years later, greatly damaged and altered.Taking to an extreme what many cultures consider heinous sacrilege, the legislated destruction of the royal burials-for many inseparable from the spontaneous Revolutionary vandalism throughout France-was an especially "obscene" campaign for millennial antinomianism, as historian Bruce Lincoln calls it, 3 an attack on prevailing taboos, as part of the overthrow of the old order, to assert symbolic and psychological dominance. Artist-archaeologist Alexandre Lenoir, present at the exhumations while assembling the marbles for transfer to Paris, instead couched the campaign in religious terms. Profanation of the royal tombs, he asserted, fulfilled Jeremiah's warning that God would annihilate an entire race and scatter its buried ancestors if it deviated from divine mandate.
4I pursue the Judeo-Christian idiom that Lenoir used to highlight features of the infamous profanation of St-Denis that relate to the sensory culture of religion. Desecrating the dead consecrated by Catholic rites and burial is, after all, violently somatic for both perpetrator and victim. Detailed reports and memoirs of the exhumations present elements that recall the lived/felt dimensions of belief proposed by historian David Morgan: a confrontation between charged bodies, living and dead, in a charged setting and m...