Abstract:The paper explores ways in which the contemporary refunctioning of classical literary and cinematic genres might continue to provide vitality and relevance in building multi-faceted border-crossing societies such as multicultural communities. In the case of Korean hallyu cinema, Punch, the sleeper-hit film of 2011 about a Korean-Filipino character ("Kopino"), the "coming-of-age" genre is located at the nexus between the key features of the Bildungsroman and the project of multiculturalism in dominantly monocul… Show more
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