1990
DOI: 10.1525/ae.1990.17.4.02a00100
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Movement and space: Andamanese cartography

Abstract: The anthropological study of space usually presents the cultural construct of space as a prefabricated stagelike structure. The cultural construct of space of the Ongee hunters and gatherers of Little Andaman is not stagelike but is a “map” of movements created by the plotting of various experiential coordinates that demarcate activity‐specific places. Ongees share space both with spirits who hunt and with animals who are hunted. Conjunctions in the paths of movement of humans, spirits, and animals set up the … Show more

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Cited by 65 publications
(22 citation statements)
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“…experience them differently and inhabit distinct sensorial worlds' (Low and Lawrence-Zú ñ iga 2003, 4). Pandya (1990) is interested in body movement in the construction of place and space, and her way of conceptualizing space is to see it as motion rather than a container. Speaking of actors' 'mobile spatial field' means to focus on the way people create space and places by moving through them.…”
Section: Discussion á Connecting Bodies and Surroundingsmentioning
confidence: 99%
“…experience them differently and inhabit distinct sensorial worlds' (Low and Lawrence-Zú ñ iga 2003, 4). Pandya (1990) is interested in body movement in the construction of place and space, and her way of conceptualizing space is to see it as motion rather than a container. Speaking of actors' 'mobile spatial field' means to focus on the way people create space and places by moving through them.…”
Section: Discussion á Connecting Bodies and Surroundingsmentioning
confidence: 99%
“…We know as we go’ (Ingold, 2000, 229; see also Eves, 1997). The ‘topokinetic’ nature of knowledge through movement is now apparent in the deep epistemological embeddedness of trails in a wide variety of cultures around the world, including, for example: Native American Trails; Aboriginal dreaming tracks; and Incan ceque (Apple, 1965; Parmentier, 1987; Pandya, 1990; Earle, 1991; Folan, 1991; Fox, 1997; Abercrombie, 1998; Bauer, 1998; Castro, 1998; Evans, 1999; Layton, 1999; Stanford and Bradley, 2002; Green, 2006a; 2006b). Commenting on Native American maps, Peter Nabokov notes:…”
Section: Hodology – Knowledge Space and Trailsmentioning
confidence: 99%
“…This slows the pig and often it stands still due to acute pain experienced by its attempts to escape the hunters. The design of pig hunting arrows and the logic of inflicting violence in order to make things immovable are connected (Pandya, 1990). As Ongees say, 'Arrows do not kill but anchor down the pig in its forest where we are moving and looking to attack it -it becomes senseless, it stands still until we move close and end its ability to move away!…”
Section: Hunting Pigs: the Transformation Of Otherness Through Incorpmentioning
confidence: 99%