Abstract:It has become impossible to ignore the fact that Freud's landmark essay "The Moses of Michelangelo," however intriguing, is disproportionately flawed and methodologically problematic. Among the list of troubles, recent research emphasizes Freud's apparent misidentification of the actual biblical episode portrayed by Michelangelo, his one-sided emphasis on the harsh, paternal dimension implied by the biblical lawgiver's classical role, and the missed opportunity to develop a theory of aesthetic sublimation. And… Show more
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