2016
DOI: 10.1353/shq.2016.0006
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More Than Kin, Less Than Kind: Similitude, Strangeness, and Early Modern English Homonationalisms

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Cited by 13 publications
(1 citation statement)
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“…When such studies do commit to discussing race, the conversation occurs in expected places where highlighting racialized difference, as opposed to racialized sameness or whiteness, occurs with respect to plays like The Tempest , Othello , and The Tragedy of Miriam 39 . Such studies, which present the domestic sphere as defined by unnamed whiteness, 40 illustrate the importance of Urvashi Chakravarty's call for critics to “reassess the presumption that race is, fundamentally, about the faraway rather than about the familiar” (Chakravarty, 2016). 41 This call suggests the domestic tragedy subgenre, which centers white characters, is a perfect cite for examining the critical implications of racial familiarity.…”
mentioning
confidence: 99%
“…When such studies do commit to discussing race, the conversation occurs in expected places where highlighting racialized difference, as opposed to racialized sameness or whiteness, occurs with respect to plays like The Tempest , Othello , and The Tragedy of Miriam 39 . Such studies, which present the domestic sphere as defined by unnamed whiteness, 40 illustrate the importance of Urvashi Chakravarty's call for critics to “reassess the presumption that race is, fundamentally, about the faraway rather than about the familiar” (Chakravarty, 2016). 41 This call suggests the domestic tragedy subgenre, which centers white characters, is a perfect cite for examining the critical implications of racial familiarity.…”
mentioning
confidence: 99%