2016
DOI: 10.4324/9781315596075
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Moral Reform in Comedy and Culture, 1696–1747

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“…In fact, even though these concepts are delivered to overthrow Iago's derogatory classification of women, Desdemona seems to implicitly associate to her character two traits: deserving and merit. In the context of the Renaissance, Gollapudi (2011) argues that "at a time when the link between visibility and moral discipline was becoming pervasive, the role of the female gaze is defined as that of deliberate indirection" (p. 105). Moral behaviour is the basis of social interaction.…”
Section: Desdemona's Conceptual Metaphors Of Ethicsmentioning
confidence: 99%
“…In fact, even though these concepts are delivered to overthrow Iago's derogatory classification of women, Desdemona seems to implicitly associate to her character two traits: deserving and merit. In the context of the Renaissance, Gollapudi (2011) argues that "at a time when the link between visibility and moral discipline was becoming pervasive, the role of the female gaze is defined as that of deliberate indirection" (p. 105). Moral behaviour is the basis of social interaction.…”
Section: Desdemona's Conceptual Metaphors Of Ethicsmentioning
confidence: 99%