2011
DOI: 10.1080/00020184.2011.594628
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Monumental Histories: Commemorating Mau Mau with the Statue of Dedan Kimathi

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Cited by 39 publications
(5 citation statements)
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“…Second, these colonial and apartheid symbols were considered out-dated, to have persisted ‘well beyond the advent of democracy’ (Kros, 2015: 151). In fact, similar changes were experienced by most African postcolonial societies in the 1960s, 1970s, 1980s and 1990s (Coombes, 2011; Larsen, 2013; Mbembe, 2015; Swartz, 2016). For example, Laragh Larsen (2013) has noted that the lifting of colonial rule in Nairobi (Kenya) was followed by a symbolic restitution of the cultural landscape for the ‘expression of resistance and the inscription of new voices’.…”
Section: The Changing Nature Of Statues and Monuments In Tshwanementioning
confidence: 60%
“…Second, these colonial and apartheid symbols were considered out-dated, to have persisted ‘well beyond the advent of democracy’ (Kros, 2015: 151). In fact, similar changes were experienced by most African postcolonial societies in the 1960s, 1970s, 1980s and 1990s (Coombes, 2011; Larsen, 2013; Mbembe, 2015; Swartz, 2016). For example, Laragh Larsen (2013) has noted that the lifting of colonial rule in Nairobi (Kenya) was followed by a symbolic restitution of the cultural landscape for the ‘expression of resistance and the inscription of new voices’.…”
Section: The Changing Nature Of Statues and Monuments In Tshwanementioning
confidence: 60%
“…4 Second, these colonial and apartheid symbols were considered outdated because they have persisted "well beyond the advent of democracy" (Kros 2015, 151). In fact, similar changes were experienced by most African postcolonial societies in the 1960s, 1970s, 1980s and 1990s (Coombes 2011;Larsen 2013;Swartz 2017). For example, Larsen (2013) noted that the lifting of colonial rule in Nairobi (Kenya)…”
Section: Pretoria (Tshwane) and Colonial Statuesmentioning
confidence: 65%
“…Digitising the photographic collection has been a way of making space for what has largely been a silenced history of Kenyan identity and struggle during the colonial period. As Coombes (2011) has noted, although many institutional public history exhibits are met with scrutiny and critique, the debates they foster are nevertheless often constructive and important. Recognising that we may encounter fraught topics and material, we nonetheless employ an approach similar to Mimi Onuoha's work, 'On Missing Datasets' (Onuoha, 2018).…”
Section: What It Means To Decolonise the Librarymentioning
confidence: 99%