1997
DOI: 10.1152/jn.1997.78.5.2754
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Monaural Spectral Contrast Mechanism for Neural Sensitivity to Sound Direction in the Medial Geniculate Body of the Cat

Abstract: Monaural spectral contrast mechanism for neural sensitivity to sound direction in the medial geniculate body of the cat. J. Neurophysiol. 78: 2754-2771, 1997. Central auditory neurons vary in sound direction sensitivity. Insensitive cells discharge well to all sound source directions, whereas sensitive cells discharge well to certain directions and poorly to others. High-frequency neurons in the latter group are differentially sensitive to binaural and monaural directional cues present in broadband noise (BBN)… Show more

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Cited by 34 publications
(40 citation statements)
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References 56 publications
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“…DCN type IV units receive somatosensory inputs from the head and pinna and are similarly affected by pinna movements (Young et al 1995(Young et al , 1996. Our present characterization of type O units provides a solid foundation for investigating how the auditory processing of spectral information in the DCN and inferior colliculus contributes to spatial receptive fields in the thalamus (Imig et al 1997) and auditory cortex (Samson et al 1993). …”
Section: Processing and Perception Of Spectral Cues For Sound Localizmentioning
confidence: 95%
See 1 more Smart Citation
“…DCN type IV units receive somatosensory inputs from the head and pinna and are similarly affected by pinna movements (Young et al 1995(Young et al , 1996. Our present characterization of type O units provides a solid foundation for investigating how the auditory processing of spectral information in the DCN and inferior colliculus contributes to spatial receptive fields in the thalamus (Imig et al 1997) and auditory cortex (Samson et al 1993). …”
Section: Processing and Perception Of Spectral Cues For Sound Localizmentioning
confidence: 95%
“…Single-unit recordings in the medial geniculate body (MGB) of anesthetized cats suggest that type O outputs remain functionally segregated when they exit the inferior colliculus (Imig et al 1997). A thalamic expression of the DCN/ICC spectral processing pathway is implied by a subclass of neurons with closed excitatory tuning curves and monaural directional (MD) sensitivity.…”
Section: Processing and Perception Of Spectral Cues For Sound Localizmentioning
confidence: 99%
“…Such neurons are common throughout the mustached bat IC (Leroy and Wenstrup 2000;Mittmann and Wenstrup 1995;Nataraj and Wenstrup 2006;O'Neill 1985;Portfors and Wenstrup 1999) and occur in other species and auditory centers (Imig et al 1997;Kadia and Wang 2003;Portfors and Felix 2005;Rauschecker et al 1995;Sutter et al 1999).…”
Section: Combination-sensitive Inhibitory Interactions Arise Below Anmentioning
confidence: 99%
“…Although speculative, there is evidence that two-tone isRFs are related to the analysis of more complex signals. For example, two-tone inhibitory areas are necessary contributors to A1 cells' abilities to differentiate between frequency-modulated sweeps (e.g., Fuzessery and Hall 1996;Shamma et al 1993;Suga 1965), and monaural sound localization cues (Imig et al 1997). Two-tone isRFs can be used to predict cells' responses to spectrally complex sounds such as "ripple spectra" the energy of which is distributed across both esRF and isRF (Schreiner and Calhoun 1994;Shamma and Versnel 1995).…”
Section: Potential Importance Of Two-tone Inhibition In Auditory Percmentioning
confidence: 99%
“…Typically, FTCs of auditory neurons have been defined with single-tone stimuli (analogous to single-spot light stimuli used to define the CRF) and have focused on the excitatory spectral RF (esRF). However, the effects of modulatory tones from outside of the esRF on responses to excitatory tones imply that single-tone tuning curves do not adequately characterize the spectral input of neurons (e.g., Imig et al 1997;Nelken et al 1994;Sachs and Kiang 1968;Suga and Tsuzuki 1985). As in the visual system, these influences should be crucial contributors to the analysis of complex sounds and auditory scenes.…”
Section: Introductionmentioning
confidence: 99%