Abstract:hat conceptions of musical articulation govern the serialist writing of Pierre Boulez in the 1950s? What happens when this diehard modernist composer takes up orchestral conducting and delves deeply into the late romantic repertoire of Wagner and Mahler through the late 1960s and '70s? What changes can be noted when Boulez then returns to Pli selon pli, his main work from the late 1950s, and profoundly revises its musical form in the 1980s? And what differences in musical articulation can be traced when Boulez… Show more
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