This article explores the aesthetic dimensions of scientific experimentation, addressing specifically how aesthetic features enter the construction, evaluation and reception of an experiment. I highlight the relationship between experiments and artistic acts in the early years of the Royal Society where experiments do not serve only epistemic aims but also aim to generate feelings of awe and pleasure. I turn to analysing which aspects of experiments are appreciated aesthetically, identifying several contenders, from the ability of an experiment to uncover nature's beauty, to encapsulating original designs and human creativity. Following this analysis, I focus on the notion of beauty: what makes an experiment beautiful? Several common qualities are explored, from the simplicity and economy of the experiment, to the significance of the experimental results. 1 | INTRODUCTION There has recently been an influx of interest in the relationship between aesthetics and science. Specifically, some philosophers have explored the role of beauty in scientific theorising, how it affects the generation of theories and the evaluation of their tenability and explored the relationship between beauty and epistemic aims such as truth and