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2022
DOI: 10.1016/j.jeap.2022.101118
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Modal density and coherence in science dissemination: Orchestrating multimodal ensembles in online TED talks and youtube science videos

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Cited by 17 publications
(15 citation statements)
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“…In particular, the recontextualization processes by which scientific content is made accessible and appealing to a non-specialized audience has been the object of recent studies (Calsamiglia and Van Dijk, 2004). These studies explore new ways of communicating science through genres such as TED talks (Scotto di Carlo, 2014, 2015; Xia and Hafner, 2021), research groups online science videos (Luzón, 2019), Three Minute Thesis presentations (Carter-Thomas and Rowley-Jolivet, 2020; Zou and Hyland, 2021), research pitches (Ruiz-Madrid, 2021) or online science dissemination videos (Valeiras-Jurado and Bernad-Mechó, 2022). What these genres seem to have in common is that they belong to a model of science popularization that brings scientists into direct contact with the general public, without the need of an intermediary such as a journalist (Xia and Hafner, 2021).…”
Section: Introductionmentioning
confidence: 99%
“…In particular, the recontextualization processes by which scientific content is made accessible and appealing to a non-specialized audience has been the object of recent studies (Calsamiglia and Van Dijk, 2004). These studies explore new ways of communicating science through genres such as TED talks (Scotto di Carlo, 2014, 2015; Xia and Hafner, 2021), research groups online science videos (Luzón, 2019), Three Minute Thesis presentations (Carter-Thomas and Rowley-Jolivet, 2020; Zou and Hyland, 2021), research pitches (Ruiz-Madrid, 2021) or online science dissemination videos (Valeiras-Jurado and Bernad-Mechó, 2022). What these genres seem to have in common is that they belong to a model of science popularization that brings scientists into direct contact with the general public, without the need of an intermediary such as a journalist (Xia and Hafner, 2021).…”
Section: Introductionmentioning
confidence: 99%
“…Furthermore, filmic modes are also integrated in humoristic multimodal ensembles. As argued above, and as demonstrated in previous literature (Valeiras-Jurado & Bernad-Mechó, 2022), the inclusion of filmic/editing modes to the analysis of digital genres offers a wider perspective on how occurs across the screen. In our analysis, filmic modes have proven to become essential to the orchestration of humoristic multimodal ensembles.…”
Section: Embodied and Filmic Modes To Create Humourmentioning
confidence: 75%
“…Thus, any system that is able to convey some meaning in a given interaction may be considered a mode. In the case of YouTube videos, two main types of modes have been identified: embodied and filmic modes (Valeiras-Jurado & Bernad-Mechó, 2022). Although the definition of embodiment and what makes a mode embodied or not is not a clear-cut one -see Norris (2004)-, for analytical purposes we will assume that embodied modes are those that are performed using the body (language, gestures, gaze, facial expression, etc.).…”
Section: Multimodality and Humour For Science Disseminationmentioning
confidence: 99%
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