Mixed-Reality Demonstration and Training of Glassblowing

Carre, Anne Laure; Dubois, Arnaud; Partarakis, Nikolaos; Zabulis, Xenophon; Patsiouras, Nikolaos; Mantinaki, Elina; Zidianakis, Emmanouil; Cadi, Nedjma; Baka, Evangelia; Thalmann, Nadia Magnenat; Makrygiannis, Dimitrios; Glushkova, Alina; Manitsaris, Sotiris

doi:10.3390/heritage5010006

Cited by 22 publications

(12 citation statements)

References 36 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…This vocabulary can, in turn, be used to create "sentences" that encode actions and procedures. The vocabulary can be demonstrated through visualizations of practitioner actions and abstractions of tool usage configurations [55] (Figure 15).…”

Section: D Presentation Of Actionsmentioning

confidence: 99%

“…The interactive training session may occur in the physical or digital environment. This can be demonstrated through a mixed reality installation at the museum of CNAM and in VR using controllers to enable the grasping and handling of tools and with the usage of the actual tools and real-time feedback on craft actions [55] (Figure 16). Training, in this case, refers to the handling of tools for cultivating and harvesting a mastic tree (see Figure 17).…”

Section: Skill Acquisition and Trainingmentioning

confidence: 99%

“…The scenario that was set up was that the presentation application sequence is executed first and then the main projection switches to the craft training applications so that users test what they learned from the craft presentations. The installation is described in detail in [55].…”

Section: Glassblowingmentioning

confidence: 99%

See 2 more Smart Citations

A Representation Protocol for Traditional Crafts

et al. 2022

Self Cite

View full text Add to dashboard Cite

A protocol for the representation of traditional crafts and the tools to implement this are proposed. The proposed protocol is a method for the systematic collection and organization of digital assets and knowledge, their representation into a formal model, and their utilization for research, education, and preservation. A set of digital tools accompanies this protocol that enables the online curation of craft representations. The proposed approach was elaborated and evaluated with craft practitioners in three case studies. Lessons learned are shared and an outlook for future work is provided.

show abstract

Section: D Presentation Of Actionsmentioning

confidence: 99%

Section: Skill Acquisition and Trainingmentioning

confidence: 99%

See 1 more Smart Citation

A Representation Protocol for Traditional Crafts

et al. 2022

Self Cite

View full text Add to dashboard Cite

show abstract

“…In this regard, CH uses such technologies for different purposes, including education, exhibition enhancement, exploration, reconstruction, and virtual museums. Among the multiple manifestations of MR for CH most relevant to this work is the usage of augmented artifacts to access and interact with information and artifacts (e.g., [29]). Previous approaches include multimodal interfaces to augment physical CH artifacts with information [30,31], CH-inspired games that employ physical items and digitizations of physical items and sites [32][33][34], informative art displays [35][36][37][38], and immersive mixed reality environments for CH [39].…”

Section: Mixed Realitymentioning

confidence: 99%

Multimodal Narratives for the Presentation of Silk Heritage in the Museum

Hauser¹,

Beisswenger²,

Partarakis

et al. 2022

Heritage

Self Cite

View full text Add to dashboard Cite

In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.

show abstract

“…In a non-BIM based study [34], authors developed a Mixed Reality application, in order to enhance the intangible dimensions, that includes the practitioner's gestural know-how in craft practice.…”

Section: Xr For Historical Architecturementioning

confidence: 99%

A Comprehensive HBIM to XR Framework for Museum Management and User Experience in Ducal Palace at Urbino

2022

View full text Add to dashboard Cite

Digitization of Cultural and Museum Heritage represents one of the most engaging challenges that would ensure a sustainable and ethical approach for next generations; digital technology’s pervasiveness imposes a comprehensive management of architectural heritage by producing facsimiles of buildings and artworks and by testing robust methodologies, with the final result of providing effective multipurpose models. In this context, the main goal of the present paper is to develop a semantically aware HBIM model that includes an intelligent objects parametrization, leveraging Extended Reality (XR) technologies and digital curation of contents to pursue the preservation of Cultural Heritage (CH) as a whole. This research is implemented in the case study of the Ducal Palace of Urbino that houses the National Gallery of Marche. It was chosen as a remarkable example of a museum located in an architectural complex with a relevant historical background and fine detail of shapes and mouldings. In Italy, as in other European scenarios, museums and their collections need suitable dissemination and management systems that take advantage of the recent digital paradigms. The challenging approach is to exploit existing platforms and software and to adopt a cognitive modelling process, able to develop tools supporting managers and museum curators while enabling user experiences using immersive and interactive features. In order to stress the workflow, this work proposes the use of families with high Level of Detail (LOD) and high Level of Information (LOI). The present article provides, as well, an accurate data enrichment process specifically designed for a gallery’s artworks such as paintings and sculptures, in line with the national and international policies. The study presents a robust and reproducible methodology for digital musealization and management, focusing, as future overall objectives, towards a greater merging between the HBIM approach and XR technologies, also facilitated by training new professional figures with more in-depth digital skills.

show abstract

Mixed-Reality Demonstration and Training of Glassblowing

Cited by 22 publications

References 36 publications

A Representation Protocol for Traditional Crafts

A Representation Protocol for Traditional Crafts

Multimodal Narratives for the Presentation of Silk Heritage in the Museum

A Comprehensive HBIM to XR Framework for Museum Management and User Experience in Ducal Palace at Urbino

Contact Info

Product

Resources

About