Mitos Lorelei Dari Waktu Ke Waktu: Kajian Feminisme Eksistensialisme Pada Tiga Lirik Lorelei Tahun 1823, 1981, Dan 2013

Abstract

<p><em>This study analised the theme of the myth contained in three lyrics of Lorelei from three different times. Lorelei is a mythical woman whose name is taken from a cliff on the Rhine. This research will refer to the relationship between women (Lorelei) and male figures and the relation will be analyzed through the perspective of existentialist feminism using two main concepts, Men as Subjects and Women as Other Figures. The author chose the Lorelei-lyrics from three different time, Heinrich Heine's Lorelei (1823), Dschinghis Khan's Loreley (1981), and Faun's Lore Lay (2013) to show the Lorelei myth displayed in different era. Through the study of existentialism feminism, it can be seen that Lorelei is still described as the object which is marginalized by the strong myth of the fame fatale. Although the depictions of Lorelei's subjectivity can be found in some parts of the lyrics by Dchingis Khan (1981) and Faun (2013), but those depictions are still very vague.</em></p><p><em> </em></p><p><strong><em>Keywords</em></strong><em>: Myth, Lorelei, Existentialism Feminism, Men, Women</em></p>

Pandangan Fatima Mernissi Tentang Kepemimpinan Perempuan Di Wilayah Publik Perspektif Teori Feminisme Eksistensialis

“…The second sex menjelaskan tentang bagaimana perempuan yang selalu dipandang secara subjektif oleh laki-laki, perempuan adalah apa yang dikatakan oleh laki-laki, karena itulah perempuan disebut sebagai "sex". Berdasarkan hal ini pula didefinisikan bahwa laki-laki adalah subjek sedangkan perempuan adalah liyan (Talitha & Liyanti, 2019). Teori feminisme eksistensialisme merupakan sebuah teori yang dikembangkan oleh Beauvior berdasarkan teori Jean Paul Sartre "ada untuk orang lain" (Adlhiyati et al, 2020).…”