Abstract:Romance poetry, drama, and theatrical productions shared common elements in the early nineteenth century, reflecting a hybridization of genres characteristic of Romanticism. In both published and performed work, the verse romances, dramatic poems, and staged historical tragedies of Mary Russell Mitford and Felicia Hemans bear comparison in featuring silence and withdrawal in the parts of lead characters. Mitford's and Hemans's use of antitype characters to represent large‐scale national crises reflects their m… Show more
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