2018
DOI: 10.12795/habitatysociedad.2018.i11.10
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Miradas cruzadas sobre las Escuelas de Arquitectura de Alicante y Nantes. Lola Alonso y Anne Lacaton, creadora y productora de hábitats para la enseñanza y el aprendizaje

Abstract: This paper unfolds some gazes over two architectural works sharing their educational purpose and female authorship: the Alicante Architecture School (South-East of Spain, 1999) and ENSA Nantes (North-West of France, 2009), being Lola Alonso the architect of the former and Lacaton & Vassal the responsible for the latter. The aim is to unveil their major contributions to, respectively, the creation and production of habitats devoted to architectural training. Through the analysis of their connections and diverge… Show more

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“…If we look into this atrium, we discover its intimate and, at the same time, alluring character. The central patio acts as a centripetal force [26] from which the space surrounds us in successive transitions from the open to the protected. Herein lies another aspect of its possibilities, faculty and students can exercise the freedom to scrutinize the eventualities, events, and incidents that the building offers up to us: classrooms, patios, corridors, stairways, ramp and above all, light, space and greenery.…”
Section: The Architecture Of the Educational Spacesmentioning
confidence: 99%
“…If we look into this atrium, we discover its intimate and, at the same time, alluring character. The central patio acts as a centripetal force [26] from which the space surrounds us in successive transitions from the open to the protected. Herein lies another aspect of its possibilities, faculty and students can exercise the freedom to scrutinize the eventualities, events, and incidents that the building offers up to us: classrooms, patios, corridors, stairways, ramp and above all, light, space and greenery.…”
Section: The Architecture Of the Educational Spacesmentioning
confidence: 99%
“…Despite its relatively recent construction (1999), which was awarded by competition, the HPS IV contains definite features of the Modern movement, at a time and in a place, when its influence had become part of the classical architectural canon. The arrangement of the building's forms satisfies the very definition of a clever, precise, and delightful game played with volumes and light; a game whose rules are based on geometry and a whole disciplined application governs the space in its three, or rather four dimensions, above and beyond all other considerations (Gutiérrez-Mozo et al 2018).…”
Section: The Referencesmentioning
confidence: 99%