Mi̇nyatür Sanatinda Müzi̇k Unsurunun Kullanilişinin Semi̇yoti̇k Açidan İncelenmesi̇

YILMAZ, Banu; VODİNALI, Selcen; Sazak, Nilgün

doi:10.12981/mahder.1048701

Cited by 2 publications

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“…When other similar studies were examined, it was cocluded that the contents were mostly designed to give a social message. (Vodinalı et al, 2022), one of the studies supporting this idea, reached similar results. In this study, in which album covers are analyzed, it is seen that while the social cultural structure and taste style of a period are revealed, the cover visuals also give social messages.…”

Section: Conclusion and Discussionsupporting

confidence: 62%

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A Semiotic Evaluation of Cover Images of the Ten Most Held Turkish Pop Music on the 2021 Spotify List

YILMAZ,

SAZAK

2023

Online Journal of Music Sciences

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Semiotics, or semiotics as it is commonly known, is an interdisciplinary research field that examines the sign strings of studies in many fields such as music, sociology and linguistics. Today, semiotics, which makes metaphorical analysis of various disciplinary fields such as literature, art, music and cinema and has a wide range as a field of study, has been an important communication tool in this sense. The science of semiotics, which has both a principled and free movement environment due to its multidisciplinary structure, has explained objects, figures and situations in this way by revealing the meaning and establishing a connection with the place of that meaning in society. Among these fields, especially in music, graphic designs used in the creation of album covers, concert posters, posters have an important role in conveying the message that the musical product wants to convey. In this research, it is aimed to make a semiotic analysis of the cover images of the ten most listened songs in the field of Turkish pop music in the Spotify 2021 list. Within the scope of the purpose of the study, cover images were evaluated semiotically in terms of elements such as writing styles, color preferences, use of figures and objects. In this case, questions such as how the current album cover designs examined are, what kind of differences they have with the album covers of the past, how the effects, colors, figures, etc. used in the design of the album covers are, whether the album covers are meaningfully compatible with the title of the album. According to this analysis, ten cover images determined by scanning reliable sites on the internet were reached. The covers were analyzed semiotically in four groups with the criteria of object, human, digital photograph and color under the elements of signified and signifier according to the sign method created by F. Saussure. In addition to these examinations, the content of the lyrics in the albums was also evaluated and it was determined whether they were meaningfully compatible with the album title and cover image. In the light of the evaluations made, it has been concluded that some of the album covers are compatible with the name of the album and some are not. It has been observed that the design of the album covers is influenced by the general fashion sense of the global music industry, and for this reason, they are far from the old album covers in terms of design and meaning.

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Section: Conclusion and Discussionsupporting

confidence: 62%

“…"Mankind has searched for different meanings in order to survive in the historical process. Efforts such as drawings on Stones, skins and cave walls and the discovery of the first musical instrument, besides expressing a search for meaning, became a communication element to meet the needs of the period" (Yılmaz et al, 2022).…”

Section: Introductionmentioning

confidence: 99%

A Semiotic Evaluation of Cover Images of the Ten Most Held Turkish Pop Music on the 2021 Spotify List

YILMAZ,

SAZAK

2023

Online Journal of Music Sciences

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Hubânnâme Ve Zenannâme’de Yer Alan Bi̇r Mi̇nyatürde İstanbul Lâvtasinin İzi̇ni̇ Sürmek

ÇAYLAK,

SAZAK

2023

Motif Akademi

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Dünya sanat tarihine bakıldığında kullanılmış ya da hâlâ kullanılan pek çok lâvta çeşidi bulunmaktadır. Çalışmaya konu olan lâvta 18 ile 20. Yüzyıllar arası, İstanbul başta olmak üzere batı ege gibi bir bölgede daha çok halk şarkılarının/ezgilerinin icra edildiği bir çalgıdır. Osmanlı dönemi kültür ve sanat ortamı hakkında minyatürler ilk göze çarpan veri kaynakları olup araştırmacılara ve ilgililere pek çok konuda bilgi vermektedir. Bu araştırmada görsel materyal olarak, araştırmacı tarafından belirlenen Enderunlu Fâzıl’a ait 1793 yılına tarihlenen “Hubânnâme ve Zenannâme” isimli eserindeki bir minyatür ele alınacaktır. Araştırmada Ferdinand de Sassure (1857-1913)’un kuramsal çerçevesinden yola çıkılarak nitel araştırma yöntemlerinden semiyotik analiz yapılacaktır. Minyatür İstanbul lâvtası ve İstanbul kemençesinin birlikte resmedildiği bilinen ilk minyatür olma özelliğini taşımaktadır. Çalışmada, minyatürün içinde yer alan görsel ögelerin İstanbul lâvtası özelinde incelemesinin yapılması amaçlanmaktadır. Çalgı ile ilgili kaynakların azlığından dolayı geçmişe dönük çıkarımlar ve ihtimaller üzerinde durulmakta olduğu kabul edilirse, bu minyatür 18. Yüzyılda çalgının icra edildiği ortam/mekan ile ilgili bilgi veren önemli bir değer olarak karşımıza çıkmaktadır. Çalışmada, konuya disiplinlerarası bir bakış açısıyla yaklaşılması ile yapılacak olan diğer çalışmalara da katkı sağlayacağı düşünülmektedir.

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Mi̇nyatür Sanatinda Müzi̇k Unsurunun Kullanilişinin Semi̇yoti̇k Açidan İncelenmesi̇

Cited by 2 publications

References 0 publications

A Semiotic Evaluation of Cover Images of the Ten Most Held Turkish Pop Music on the 2021 Spotify List

A Semiotic Evaluation of Cover Images of the Ten Most Held Turkish Pop Music on the 2021 Spotify List

Hubânnâme Ve Zenannâme’de Yer Alan Bi̇r Mi̇nyatürde İstanbul Lâvtasinin İzi̇ni̇ Sürmek

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