2011
DOI: 10.1080/01434632.2011.604420
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Minority languages and performative genres: the case of Irish language stand-up comedy

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Cited by 12 publications
(11 citation statements)
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“…These cases show, moreover, how minority languages can work in popular genres not only on equal terms with the dominant ones (cf. Jaffe, 2007;Moriarty, 2011), but doing it even better (cf. user comments above).…”
Section: Discussionmentioning
confidence: 99%
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“…These cases show, moreover, how minority languages can work in popular genres not only on equal terms with the dominant ones (cf. Jaffe, 2007;Moriarty, 2011), but doing it even better (cf. user comments above).…”
Section: Discussionmentioning
confidence: 99%
“…9 The quotes are reproduced here as written in the original. 10 For the general (negative) attitude towards 'learning Irish in school' see e.g., Moriarty (2011). 11 Another replies to the questioner that she can provide her with the lyrics.…”
Section: Endnotementioning
confidence: 99%
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“…Much recent work has also contributed to and benefitted from a productive synergy with CALS activities in the area of Discourse, society and identity. In many cases this has involved discursive analysis of (language) ideologies and their relationships, whether more or less direct, to issues of planning and policy, in arenas such as: comedy (Atkinson & Kelly-Holmes 2011, Moriarty 2011); politics (e.g. Atkinson 2011); tourism (e.g.…”
Section: Plurilingualism and Language Policymentioning
confidence: 99%
“…A little bit of language can be enough, and even limited competence is celebrated alongside an acceptance of "imperfect" bilingualism and language mixing. So, for example, a minority language can become a resource in the linguistic repertoire of a comedian or a rapper, and their use of the particular language may or may not signal commitment to the language and/or fluency (Moriarty 2011;Pietikäinen 2008).…”
Section: The Performance Era In Minority Language Mediamentioning
confidence: 99%