Oxford Scholarship Online 2017
DOI: 10.1093/oso/9780199469864.003.0005
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Mini-India

Abstract: Chapter 4 highlights how, as a consequence of migration and place-making processes, the discourses of locality, nation, and community came to be equated with the term ‘Mini-India’. Here, three intersecting meanings of the notion of Mini-India are discussed: The first section describes how the term ‘Mini-India’ is appropriated by the state to encompass diverse ethnic and religious identifications under the nationalist slogan ‘unity in diversity’ and to declare the pluralist Andaman society as a secular example … Show more

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“…76 Zehmisch, 'The invisible architects of Andaman', pp. 122 78 Zehmisch, 'The invisible architects of Andaman', pp. 122-38.…”
Section: Multiple Indigeneities In the Andaman And Nicobar Islandsmentioning
confidence: 99%
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“…76 Zehmisch, 'The invisible architects of Andaman', pp. 122 78 Zehmisch, 'The invisible architects of Andaman', pp. 122-38.…”
Section: Multiple Indigeneities In the Andaman And Nicobar Islandsmentioning
confidence: 99%
“…Previously, it had denoted a subaltern labour force, consisting of various Adivasi communities that were recruited in Ranchi; now, the term describes an ethnicity-in-the-making based on the transcending of ethnic division through inter-group marriage and shared living conditions when it comes to relations to the environment and cosmology, socio-economic, cultural, and political factors. 113 All these factors have come to create a strong sense of local belonging; from a geographical and ecological perspective, this sense of belonging may be understood when looking at characteristic place-making processes that emerged in multiple Ranchi villages situated on cleared forest spaces from the 1950s: reminded of the hilly landscape in Chotanagpur, the inhabitants often built their houses and gardens on elevations, while flat areas were reserved for fields and pastures. 114 One can tentatively assume that gardens, houses, fields, fences, objects, places of communal worship and ritual, but also immaterial social and religious institutions were reconstructed according to collective ideas about social aesthetics 115 and culturally learned modus operandi that were applied in the diasporic situation.…”
Section: Travelling Indigenous Knowledgementioning
confidence: 99%
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