Millennial Shakespeare: Profile of a Cultural Megastar

Broich, Ulrich

doi:10.1163/9789004333970_012

Britain at the Turn of the Twenty-First Century 2001

DOI: 10.1163/9789004333970_012

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Millennial Shakespeare: Profile of a Cultural Megastar

Ulrich Broich¹

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2020

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“…(Sabahattin Ali, Canım Aliye, Ruhum Filiz, 2016) Introduction: A Brief Overview of the Nineties and The Censor British theatre stage in the 1990s displayed that one could see ethical breakdowns due to sexual affairs. Anthony Neilson whose works are seen to be "closely associated in criticism with the phenomenon variously described as the 'Theatre of Blood and Sperm' (Broich, 2001), 'New Brutalism' (Nikcevic, 2005), and of course most famously, In-Yer-Face Theatre (Sierz, 2001)" (qtd. in Reid, 2017, p. 5…”

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confidence: 99%

Anthony Nei̇lson’un Sansürcü İsi̇mli̇ Oyununun Zygmunt Bauman’in Ahlak Sosyoloji̇si̇ Işiğinda Yeni̇ Bi̇r Okumasi

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2020

Avrasya Uluslararası Araştırmalar Dergisi

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New writing, In-Yer-Face theatre, rising masculinity, grunge, the rave scene, and hiphop dominated the world of music, literature, and drama in the nineties. In 1990s sexuality became a prominent subject matter not only in the political world and on television, but also on the theater stage. Anthony Neilson whose works are associated in criticism with the phenomenon variously described as In-Yer-Face theatre put The Censor on the stage in England in 1997. The Censor is not the playwright and director Anthony Neilson's first experiential play; however, it was his most sensational and taboo-breaking one thanks to its infamous pornographic scene and a theme around sexual trauma, affection, loss, and death. It is a fact that there is a limitation of studies that focus on the relationship between Anthony Neilson's dramaturgy and postmodernism. Therefore, this work aims to explore Neilson's Censor from a new perspective that will enable the postmodern elements and features of Neilson's work to be viewed from a moral point of view, which envisages analysing the postmodern situation through Zygmunt Bauman's views. To do this, firstly, this work limits its analysis to the discovery of the playwright's In-Yer-Face theatre via The Censor. Secondly, after presenting the Polish sociologist Zygmunt Bauman's views over morality, it analyses morality behind the notion of fluid in The Censor through the focus on ordinary postmodern man and his/her moral and ethical condition by following the postmodernist zeitgeist around Zygmunt Bauman's moral sociology.

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confidence: 99%

Anthony Nei̇lson’un Sansürcü İsi̇mli̇ Oyununun Zygmunt Bauman’in Ahlak Sosyoloji̇si̇ Işiğinda Yeni̇ Bi̇r Okumasi

Kaya

Bay

2020

Avrasya Uluslararası Araştırmalar Dergisi

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Millennial Shakespeare: Profile of a Cultural Megastar

Cited by 1 publication

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Anthony Nei̇lson’un Sansürcü İsi̇mli̇ Oyununun Zygmunt Bauman’in Ahlak Sosyoloji̇si̇ Işiğinda Yeni̇ Bi̇r Okumasi

Anthony Nei̇lson’un Sansürcü İsi̇mli̇ Oyununun Zygmunt Bauman’in Ahlak Sosyoloji̇si̇ Işiğinda Yeni̇ Bi̇r Okumasi

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