“…The contribution of Raman spectroscopy in 2012/2013 to the pigment identification and on conservation issues has been equally significant: pigments and plasters from the Roman settlement of Thamusida in Rabat, Morocco (Gliozzo et al); the tomb of Djehutyemhab (TT194), Elqurna necropolis, Upper Egypt (Mahmoud); pigments from five Medieval Gotland churches in Sweden (Nord and Tronner); the painted vaulted ceiling of the Sant Joan Del Mercat Church, Valencia, Spain (Doménech‐Carbó et al); 16th century wall paintings in the Saint Andrew Church, Biañez, Biscay, and Saint John the Baptist Church, Axpe, Biscay (Irazola et al); Sala delle Maschere of the Domus Aurea in Rome (Paradisi et al); pigments from the 4th to the 3rd century bc in the Iberian cemetery of Tutugi, Galera, Granada, Spain (Sánchez et al); Roman plasters applied over Pharaonic walls at Luxor temple, Upper Egypt (Mahmoud et al); chromatic alterations of Roman Heritage in Aosta (Conz et al) ; Roman mural paintings (Toschi et al); the fresco ‘The Good and the Bad Judge’ located at the medieval village of Monsaraz in southern Portugal (Gil et al); and multipigmented surface from the wall decorations of the Theban tomb (TT277), Luxor, Egypt (Mahmoud).…”