2001
DOI: 10.1073/pnas.012361999
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Mice and humans perceive multiharmonic communication sounds in the same way

Abstract: Vowels and voiced consonants of human speech and most mammalian vocalizations consist of harmonically structured sounds. The frequency contours of formants in the sounds determine their spectral shape and timbre and carry, in human speech, important phonetic and prosodic information to be communicated. Steadystate partitions of vowels are discriminated and identified mainly on the basis of harmonics or formants having been resolved by the critical-band filters of the auditory system and then grouped together. … Show more

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Cited by 68 publications
(56 citation statements)
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References 29 publications
(20 reference statements)
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“…We focus here in particular on two species, namely the mustached bat, Pteronotus parnellii, and the rhesus monkey, Macaca mulatta, that have been used for intense studies over the last decade (10)(11)(12)(20)(21)(22)(23)(24)(25)(26)(27)(28)(29). New and interesting findings have also been made in the domestic cat, Felis domestica (16,(30)(31)(32)(33), the house mouse, Mus muscus (34,35), and the marmoset, Callithrix jacchus (36,37) and these contribute to our general perspective of how the mammalian cortex manages complex sounds within the neural domain so as to make the most direct and efficient use of the information present in the acoustic domain. Clearly, each species has the potential to have evolved different strategies that are most appropriate for its environment and sensory requirements.…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…We focus here in particular on two species, namely the mustached bat, Pteronotus parnellii, and the rhesus monkey, Macaca mulatta, that have been used for intense studies over the last decade (10)(11)(12)(20)(21)(22)(23)(24)(25)(26)(27)(28)(29). New and interesting findings have also been made in the domestic cat, Felis domestica (16,(30)(31)(32)(33), the house mouse, Mus muscus (34,35), and the marmoset, Callithrix jacchus (36,37) and these contribute to our general perspective of how the mammalian cortex manages complex sounds within the neural domain so as to make the most direct and efficient use of the information present in the acoustic domain. Clearly, each species has the potential to have evolved different strategies that are most appropriate for its environment and sensory requirements.…”
Section: Introductionmentioning
confidence: 99%
“…Repetition of similar syllables during such vocalization bouts frequently indicates the urgency of a desired response. In mouse pups, wriggling (isolation) calls emitted at high repetition rates and sometimes with increasing amplitudes trigger a retrieval response on the part of maternal females (49,50). This type of sequencing of sounds is less common in animals compared to speech in humans, except in the context of song as in songbirds, bats, dolphins and whales or chorus calls in some species of frogs and primates (51-54).…”
mentioning
confidence: 99%
“…For example, based on the harmonic structure of many species' vocalizations, harmonic combinations of pure tones have been used [Sinex et al, 2002, Ehret, 2002. This greatly reduces the complexity of a multi-tonal stimulus protocol.…”
Section: Stimulus Design For Auditory Neuroethologymentioning
confidence: 99%
“…However, some of the differential brain activation may have been attributable to differences in the acoustic signal properties (low-level auditory processing) between these two conceptual categories of sound (Nelken et al, 1999;Reide et al, 2001;Ehret and Riecke, 2002;Lewicki, 2002). To explore this possibility, we quantitatively compared (Fig.…”
Section: Spectral and Phase Analysis Of Sound Signalsmentioning
confidence: 99%
“…In general, our ability to recognize different types of environmental (nonverbal) sounds is thought to be accomplished, in part, by abstracting the physical properties of a sound and matching them to the known characteristics of a given sound category (Komatsu, 1992;Medin and Coley, 1998). For instance, animal vocalizations often contain frequencies and harmonics that covary in time, which may serve as signal attributes or compound cues for recognition (Nelken et al, 1999;Reide et al, 2001;Ehret and Riecke, 2002). Although less well studied, some sounds produced by tools may share common acoustical features, such as a metallic twang or high-pitched ringing sound, which could conceivably serve as "low-level" signal attributes that aid in our ability to recognize them as tools.…”
Section: Introductionmentioning
confidence: 99%