Abstract:On the final day of the Dublin Blaschka Congress 2007, I gave a fifteen-minute talk on the presumed role of Blaschka glass models in environments less connected to biology and science than to aesthetic or artistic contexts. The various lines of argument were presented as suggestive musings and speculations over some key questions as for example: How welcome are life-like replica's of the natural world in the world of art? How did art move away from science and how did science move into the realm of art? A digr… Show more
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