Abstract:The process of researching a music scene retrospectively, even one which has recently formed, rests on a relatively simple ontological foundation; that the scene is broadly agreed – by both participants and observers – to already exist and to be available as an object for study, whether that proceeds on a musicological, sociological or geographical basis. But what if the scene is merely purported, suspected or intuited to be in the process of formation; to be, in some sense, imminent rather that existent? What… Show more
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