C areful analysis of ancient portraits, sculptures, and statues provides interesting insights on various pathologic conditions in past times. 1 This holds particularly true for both Roman antiquity (between 3rd to 1st centuries BCE and 3rd century CE) 1 and Renaissance. In these periods, the elaboration of individual body forms and facial traits reached extreme verism in the representation of both healthy and pathologic conditions. 2,3 Between 1498 and 1499, the renowned engraver, sculptor and painter Veit Stoss (c. 1447-1533) sculpted the so-called Volckamer Epitaph (4,85 Â 2 m, depth 22 cm) which is located St. Sebaldus' church, Nuremberg (Germany). 4 The Volckamer Epitaph is made of 3 sandstone reliefs which represent the Last Supper, the Agony of Christ in the Garden and the Capture of Christ; 2 oak and linden wood statues beneath stone baldachins depict the Man of Sorrows and the Mourning Virgin. 5,6 The third relief focuses on Christ' imprisonment in the Getsemani. While Judas Iscariot betrays Jesus with a kiss (the signal to arrest Christ), 4 soldiers surround him (Fig. 1A). Apart from an armoured soldier whose hands are raised in an attempt to stop violence, all other soldiers have violent gestures and unpleasant physical appearance. Their faces express hate and anger.At the far right, 1 soldier is shown whose facial features, turban, and scimitar points to an Ottoman-styled warrior. This individual holding Christ left arm reveals an impressive disfiguring facial lesion. The left lip/cheek region shows a huge laceration and a series of defect residues suggestive of an old-healed injury (Fig. 1A).The main defect primarily affects the left lip showing a dehiscent wound running from the dental line cranially into the cheek (Fig. 1B, yellow arrows). The adjacent maxilla and teeth are apparently unaffected. A second unusual linear lesion, which appears like a slightly retracted scar, runs from the edge of the affected area straight medially to the alar wing of the nose (Fig. 1A, orange arrows). A third lesion can be appreciated at the caudal