2020
DOI: 10.1088/1757-899x/745/1/012157
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Metaphor of Symbols of Iraqi Architecture and Urbanism: Studying symbols as identity of Governmental Buildings’ façades in Baghdad, Iraq

Abstract: This paper analyses the role of the symbol considered as an effective tool used in strengthening the properties of façades in architecture and urbanism. The symbol always considers as one of the most important metaphors used in defining the local identity, in Iraq, the identity of architecture and urbanism has deteriorated and been disordered after 2003 when different trends used in shaping the façades. Due to this continuous deterioration, problems of forming identity of Iraqi architecture and urbanism have b… Show more

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Cited by 6 publications
(4 citation statements)
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“…Meaning and essence of identity [34] Architectural identity as a continuous process through time [35][36][37][38][39][40] The relation between identity and place [41] Identity and building typologies [42] Identities of subcultures or hyper-identity [43] The role of societies in changing identities [44] Physical representation of architectural identity [37,41,[45][46][47][48][49][50][51] Architectural identity and culture [40][41][42]47,49,[51][52][53][54][55][56][57] Factors that effect architectural identity [53,55,[58][59][60][61] Architectural identity and modernity [41,62] Creation of new identities [63,64] From this analysis of previous studies, it is clear that there is a gap in the literature regarding the study of the continuity of architectural identity via the notion of cultural heritage as a process. This study contributes to studying architectural identity as a continuous process via the influence of the tangible and intangible sustainable elements that are considered part of cultural heritage, with Erbil as a case study.…”
Section: Topics Related To Architectural Identity Referencementioning
confidence: 99%
“…Meaning and essence of identity [34] Architectural identity as a continuous process through time [35][36][37][38][39][40] The relation between identity and place [41] Identity and building typologies [42] Identities of subcultures or hyper-identity [43] The role of societies in changing identities [44] Physical representation of architectural identity [37,41,[45][46][47][48][49][50][51] Architectural identity and culture [40][41][42]47,49,[51][52][53][54][55][56][57] Factors that effect architectural identity [53,55,[58][59][60][61] Architectural identity and modernity [41,62] Creation of new identities [63,64] From this analysis of previous studies, it is clear that there is a gap in the literature regarding the study of the continuity of architectural identity via the notion of cultural heritage as a process. This study contributes to studying architectural identity as a continuous process via the influence of the tangible and intangible sustainable elements that are considered part of cultural heritage, with Erbil as a case study.…”
Section: Topics Related To Architectural Identity Referencementioning
confidence: 99%
“…In the civil center of the city of Baghdad, many administrative buildings were designed by Iraqi architects influenced by modern architecture. So, there is a distinct local adaptation through the use of traditional elements and shapes such as arches and details within modern designs that appeared in the building of Industries union by the architect Rifaat Chadirj, the Baghdad Municipality by Muhammad Makkiya and the Ministry of trade by Hisham Mounir [6]. However, there is a difficulty in adapting the modern urban design that relies on wide straight streets and inserting them within the organic traditional fabric.…”
Section: Contemporary Architecture In Iraqmentioning
confidence: 99%
“…The architect designs were inspired by the characteristics of regional Iraqi architecture combined with contemporary features meeting social needs, placing his style in "international regionalism" or an Eclectic Approach. Chadirji's body of work comprehensively influenced the new developments in the Arab region (Harrington, 2014) (Bassim, 2020). (Bassim, 2020) His designs are conceptual and include abstract forms and arches.…”
Section: Architect Philosophy and Approachmentioning
confidence: 99%
“…Chadirji's body of work comprehensively influenced the new developments in the Arab region (Harrington, 2014) (Bassim, 2020). (Bassim, 2020) His designs are conceptual and include abstract forms and arches. He is inspired by second millennium Mesopotamian architecture and by architects such as Le Corbusier, Mies van der Rohe, and Auguste Perret.…”
Section: Architect Philosophy and Approachmentioning
confidence: 99%