Messiah and Progress in Victorian England

Smither, Howard E.

doi:10.1093/earlyj/13.3.339

Cited by 4 publications

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“…The work of the Norwich-based Sarah Glover as a springboard for Curwen is touched upon here and the broader context of music education and its systems is explored. 18 Smither (1985), 343. 19 Mackerness (1966), 164.…”

Section: Fiona M Palmermentioning

confidence: 99%

“…Festivals commissioned choral works-one obvious example being 36 Smith and Young (accessed 10 Dec. 2010). 37 Smither (1985), 345. 38 August Manns (1825-1907 had become conductor of the Crystal Palace concerts in 1855;…”

Section: Fiona M Palmermentioning

confidence: 99%

“… Joseph Bennett, The Musical Times (1877), cited inSmither (1985), 346. 2 Charles Dibdin, The Musical Tour ofMr.…”

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Choral Societies and Nationalism in Europe

Stynen¹,

Lajosi²

2019

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This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder.An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www. knowledgeunlatched.org. This book is part 3 of the NISE Proceedings.

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Section: Fiona M Palmermentioning

confidence: 99%

Section: Fiona M Palmermentioning

confidence: 99%

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Choral Societies and Nationalism in Europe

Stynen¹,

Lajosi²

2019

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The Large-Scale Oratorio Chorus in Nineteenth-Century England: Choral Power and the Role of Handel’s Messiah

Palmer¹

2015

Choral Societies and Nationalism in Europe

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We, as an imperial race, should appreciate the master's imperial effects. Handel is the Napoleon of his order, without a Moscow. The French Caesar used to win victories by launching masses at his enemy's centre. Handel too fights in masses and overwhelms by straightforward blows. You cannot give him too large a force. Expand the Sydenham transept till twice four thousand executants find room on its orchestra, and his power is doubled without encumbrance. Such a musician deserves to be the musician of an empire. Rome would have decreed him divine honours, and sent her legions to battle with his music at their head.1

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Arthur and the Failed Pursuit of Imitatio Christi: Christological Allusion in Spenser’s Faerie Queene and Tennyson’s Idylls of the King

Held¹

2016

Arthuriana

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Messiah and Progress in Victorian England

Cited by 4 publications

References 0 publications

Choral Societies and Nationalism in Europe

Choral Societies and Nationalism in Europe

The Large-Scale Oratorio Chorus in Nineteenth-Century England: Choral Power and the Role of Handel’s Messiah

Arthur and the Failed Pursuit of Imitatio Christi: Christological Allusion in Spenser’s Faerie Queene and Tennyson’s Idylls of the King

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