“…As shown, both the dimensional (Belfi & Kacirek, 2021 ; Koh et al, 2022 ; Li et al, 2012 ; Lepping et al, 2016 ; Imbir & Gołąb, 2017 ; Rainsford et al, 2018 ) and discrete (Hill and Palmer, 2010 ; Xu et al, 2017 ; Vieillard et al, 2008 ) emotion models have been employed to categorize music emotion, yet only a few studies have employed both models for music classification (Eerola & Vuoskoski, 2011 ; Xie & Gao, 2022 ). Most of the datasets use Western music and pop music (Belfi & Kacirek, 2021 ; Eerola & Vuoskoski, 2011 ; Imbir & Gołąb, 2017 ; Koh et al, 2022 ; Li et al, 2012 ; Lepping et al, 2016 ), and only three studies utilize Chinese traditional instrumental music (Li et al, 2012 ; Xie & Gao, 2022 ; Xu et al, 2017 ). Li et al ( 2012 ) and Xu et al ( 2017 ) constructed emotional music datasets containing Chinese traditional instrumental music.…”