Merleau-Ponty and the other World of Painting

Larsen, Tarjei Mandt

doi:10.1080/00071773.2003.11007395

Search citation statements

Order By: Relevance

Paper Sections

Select...

David Johnson1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2009

Publication Types

Select...

Article1

Relationship

Self Cite0

Independent1

Authors

Journals

Cited by 1 publication

(1 citation statement)

References 1 publication

Supporting

Mentioning

Contrasting

Order By: Relevance

“…19 Since spontaneous perception can take the disenchanted form of vision that is the source of the modern scientific outlook, Larsen concludes that "there is no pure perceptual world that a scientistic metaphysics comes to colonize, that the world of perception in modernity always already is the scientific world". 20 It is not possible, then, to maintain a distinction between spontaneous vision and scientific construction, a distinction, moreover, upon which Merleau-Ponty's phenomenological project and view of painting rest. This is a provocative conclusion, yet the entire argument turns on the way Larsen understands Merleau-Ponty's assertion that "perception already stylizes".…”

Section: David Johnsonmentioning

confidence: 97%