“…In a very eloquent article, he elaborates an account of the cultural public sphere which, he says, ‘trades in pleasures and pains’ (McGuigan, 2005: 435) and works through the kinds of performative (aesthetic, affective, vocal, textual, embodied) modes of communication to be found in everyday gossip, poetry, drama, popular and high art, television soap operas, newspaper columns, social networking sites, Hollywood film and reality TV, for example. In the context of the governance of paedophilia, the mediating role of the cultural public sphere is significant, and has certainly not gone unnoticed in the criminological literature (Grealy, 2014; Greer, 2003; Greer and Jewkes, 2005; Jewkes and Wykes, 2012; Kohm and Greenhill, 2011; Schofield, 2004). However, such communicative modes do not guarantee a politically palatable public dialogue.…”