Abstract:Films about finance often deploy masculinity as a key locus of critique, most recently in post-global financial crisis (GFC) cinema. While feminist international political economy (IPE) can direct attention to certain heteronormative limitations in the gendered critique of financein other words, it can portray stereotypes of "reckless" risky men who need to be reined in by "responsible," "prudent" womenthis article discerns important nuances in the representation of masculinity in post-GFC cinema. Beyond moral… Show more
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