2016
DOI: 10.1177/1367549416682260
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Memory, post-socialism and the media: Nostalgia and beyond

Abstract: it offers a critical review of the main trends in existing research, focussing on four key issues: the fascination with nostalgic modes of remembering, the dominance of national frames of analysis, the lack of research on the mediation of personal and vernacular remembering, and the privileging of descriptive over explanatory modes of analysis. Second, the article outlines a new agenda for the field, and proposes three main research trajectories. The first pays attention to how mediated memories at local and n… Show more

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Cited by 40 publications
(13 citation statements)
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References 48 publications
(59 reference statements)
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“…The second problem is methodological, in that studies of the politics of commemoration within Russia and Eastern Europe are overwhelmingly nation-specific (Kasianov, 2012; Mihelj, 2017) or confined to the post-socialist space (Etkind et al, 2012; European Journal of Cultural Studies (EJCS), 2017; Miller and Lipman, 2012; Rutten et al, 2013). 4 It has been suggested to further transnationalise the discussion by acknowledging the circulation of ideas and images between Eastern and Western Europe (Mihelj, 2017).…”
Section: Sources Methods and Conceptual Frameworkmentioning
confidence: 99%
See 1 more Smart Citation
“…The second problem is methodological, in that studies of the politics of commemoration within Russia and Eastern Europe are overwhelmingly nation-specific (Kasianov, 2012; Mihelj, 2017) or confined to the post-socialist space (Etkind et al, 2012; European Journal of Cultural Studies (EJCS), 2017; Miller and Lipman, 2012; Rutten et al, 2013). 4 It has been suggested to further transnationalise the discussion by acknowledging the circulation of ideas and images between Eastern and Western Europe (Mihelj, 2017).…”
Section: Sources Methods and Conceptual Frameworkmentioning
confidence: 99%
“…The second problem is methodological, in that studies of the politics of commemoration within Russia and Eastern Europe are overwhelmingly nation-specific (Kasianov, 2012; Mihelj, 2017) or confined to the post-socialist space (Etkind et al, 2012; European Journal of Cultural Studies (EJCS), 2017; Miller and Lipman, 2012; Rutten et al, 2013). 4 It has been suggested to further transnationalise the discussion by acknowledging the circulation of ideas and images between Eastern and Western Europe (Mihelj, 2017). However, we contend that Russia’s status as a neo-authoritarian regime – that is, a political system in which autocratic and (pseudo-)democratic rules and practices are combined (Petrov et al, 2014) – is crucial for understanding the strategies that state-affiliated political and media actors adopt in articulating and disseminating narratives about historical events.…”
Section: Sources Methods and Conceptual Frameworkmentioning
confidence: 99%
“…The differences in the two regimes of history in the memories of the socialist past are: the first regime of remembrance is the time of the emotionally charged anti-communist speaking in some media like the Democracy newspaper, and vice versaa strong defense of socialist values in the Duma newspaper. The second regime of remembrance is post-2010, when "nostalgia for socialism" stands out as one of the dominant emotions (Mihelj 2017;Koleva 2011).…”
Section: Why Does the Focus Fall On Stories Precisely About Thementioning
confidence: 99%
“…Their attachment to Soviet cinema makes these fan communities an appealing object of analysis in the context of discussing the significance of nostalgic sentiments for contemporary society. Research into nostalgia generally, as well as in Slavic studies in particular, has come a long way from developing general models explaining nostalgia's significance for modern times to establishing the necessity of studying these phenomena in context (Nadkarni, Shevchenko, 2004;Mihelj, 2017). The study of nostalgia in connection with cinema, originally related predominantly to analyzing contemporary cinematic interpretations of the past, offered various interpretations of nostalgia: this emotion may stem not only from a sense of belonging to a "great history", but also from an assertion of a clean break from the past embodied in constructing a private outlook on grand historical events (Samutina, 2005).…”
Section: "The Beginning Of a Beautiful Friendship": The Cinematic Culmentioning
confidence: 99%