2019
DOI: 10.1080/1369801x.2018.1558102
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Memory and the Return of History in a Settler-colonial Context: The Case of the Palestinians in Israel

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Cited by 18 publications
(14 citation statements)
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“…In this view, the efforts to promote a shared society are nothing but another way of oppression , a view Rouhana and Sabbagh‐Khoury (2019) also share. According to them, the struggle for equality, which was led by the communist party in earlier years and later by various NGOs, cooperated with the colonial process of Zionism, and thus weakened the Palestinian national struggle.…”
Section: Resultsmentioning
confidence: 99%
“…In this view, the efforts to promote a shared society are nothing but another way of oppression , a view Rouhana and Sabbagh‐Khoury (2019) also share. According to them, the struggle for equality, which was led by the communist party in earlier years and later by various NGOs, cooperated with the colonial process of Zionism, and thus weakened the Palestinian national struggle.…”
Section: Resultsmentioning
confidence: 99%
“…I bring forth five types of cases to explore how citizenship became a mechanism for anticolonial politics, even as it served as a mode of settler colonial domination and ABD. Elsewhere, I have explained how Palestinian resistance practices gradually constituted the “return of history” (Rouhana and Sabbagh-Khoury 2019), that is, the ascription and reinvigoration of new political meaning to 1948’s foundational violence.…”
Section: Citizenship As Anticolonial Toolmentioning
confidence: 99%
“…7 Within these accounts, performances in contested, traumatized sites have been understood as constituting part of the place's memoryscape (Lee 2017)-"its geographical dimensions of cultural memory" (Ibid, p. 72)-and as playing a significant role in contesting, challenging, and refuting dominant representations of place and past by creatively (re)shaping and reconstructing these images (Lee 2017;Gómez-Barris 2009;Carrico 2020;Hochberg 2015;Hirsch 2019). I continue this line of thought and examine it in the context of Palestinians in Israel, where the past Palestinians witnessed and collectively experienced is to this day denied and silenced (Rouhana and Sabagh-Khoury 2017;Yiftachel 2021;Benvinisti 2002); where hostility, dispossession and intimidation are conditions that Palestinians still endure; and where they are subjected to institutionalized inequality and (legally structured) discrimination (Rouhana 2017;Rouhana and Sabagh-Khoury 2015;Yiftachel 2021). In the past few decades, however, the Palestinian society in Israel has also become characterized by the remarkable growth of both an educated middle class (Jamal 2017;Reches 2014), and women artists.…”
Section: Wounded Places and Pasts Performance And Revisionmentioning
confidence: 99%
“…When Abu Elasal stages a procession of young Arab women in black stylish dresses on the Suzanne Dellal grounds (whether or not it is associated with a funeral procession), viewers are offered a vision of Arab urban life-prior to 1948 as well as today-right there across the street, on the outskirts of Jaffa, and specifically of Arab women without need of anyone's patronage-either then or today. This image is radical not only because it brings Arab women into the White City, 34 challenging Tel Aviv's whiteness and Israel's separatist ethnonational practices, or because it alludes to the Nakba, a generally taboo topic in Israeli public discourse (Rouhana and Sabagh-Khoury 2017;Manna 2017). The image is profound also because it retrieves and re-imagines the forgotten Palestinian city and Palestinian urban women (Hasan 2008(Hasan , 2017(Hasan , 2019, replacing the image of the traditional, rural Arab woman 35 with strong, confident, politically aware and culturally engaged women.…”
Section: On and Off The Ground: A Gendered Aesthetics Of Ruptured Pla...mentioning
confidence: 99%