Abstract:This article explores the concepts of memory and oblivion as dominant themes in the revision and reconstruction of the past in contemporary German literature. Michel Foucault’s method of discursive analysis and Jan and Aleida Assman’s memory theory are used to analyse narrative strategies employed by contemporary German authors. Historical, sociocultural, media, and psychological discourses are viewed as contributing to the formation of protagonists’ individual memories. The trajectory along which ‘functional … Show more
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