Memorias subterráneas y mecanismos de censura: Exposiciones de arte, ‘El Tercer Mundo’ en Venezuela y ‘Queermuseu’ en Brasil
Jair Jose Gauna Quiroz
Abstract:Censorship occurs in contexts where dominant discourses establish the invisibility of subterranean memories; thus, artworks act as vehicles of memories by their external symbols. The research presents case studies on the censorship of the individual exhibition ‘El Tercer Mundo’ by MAx Provenzano at the Museum of Art in Valencia, Venezuela, and the unexpected closure of the collective exhibition ‘Queermuseu: Cartografias da diferença na arte brasileira’ at the Santander Cultural in Brazil, in the years 2015 and… Show more
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