1994
DOI: 10.1002/edp.2430030103
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Melodies in caregivers' speech: A species‐specific guidance towards language

Abstract: The author reports on a series of integrated studies on melodic contours in infant-directed (ID) speech. ID melodies in speech are taken as an instructive example of intuitive parenting in order to review current evidence on its forms, functions and determinants. The forms and functions of melodic prototypes are compared in terms of universal properties and individual andlor cultural variability across samples of German, Chinese and American mothers, and German mothers and fathers with their 2-and 3-month-old … Show more

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Cited by 23 publications
(26 citation statements)
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References 52 publications
(43 reference statements)
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“…47,48 It is ideal that these sounds come from the physical origin, whereby the mother or father is the source. In the current study, the music therapists met with parents and provided a survey, and the evaluation involved their identification of a song of kin 27 or parent-preferred lullaby.…”
Section: Patientsmentioning
confidence: 99%
“…47,48 It is ideal that these sounds come from the physical origin, whereby the mother or father is the source. In the current study, the music therapists met with parents and provided a survey, and the evaluation involved their identification of a song of kin 27 or parent-preferred lullaby.…”
Section: Patientsmentioning
confidence: 99%
“…Because the greatest differences arise from the presence of propositional meaning in language but not in music, comparisons in the early pre-verbal period are of particular interest (Trehub et al, 1993; Chen-Hafteck, 1997; McMullen and Saffran, 2004; Brandt et al, 2012), notably when both modes of parental communication are used to regulate infant attention and affect (Fernald, 1992; Papoušek, 1994; Kitamura and Burnham, 2003; Trehub et al, 2010). To date, however, the only study comparing young infants' behavioral responsiveness to speech and singing (Nakata and Trehub, 2004) used audiovisual stimuli, obscuring the relative contributions of auditory and visual expressiveness to infants' greater engagement with maternal music.…”
Section: Introductionmentioning
confidence: 99%
“…Maternal speech melodies are considered central to the expression of maternal affect and the regulation of infant attention and arousal (Fernald, 1992; Papoušek, 1994). Is it possible that musical melodies would be equally effective or even more effective in regulating infant attention and arousal?…”
Section: Introductionmentioning
confidence: 99%
“…The mother's vocalizations and other expressions show the coherence and emotive dynamics of "intuitive motherese", a register of speaking that is immediately responsive to the infant's equally coherent and emotive dynamic expressions -of face movements, coos or frets, hand gestures and body movements. The physiognomic and kinematic patterns of this motherese, like its reception, are universal and unlearned (Fernald & Simon 1984;Fernald 1989;Papoušek 1994;Grieser & Kuhl 1988).…”
Section: Protoconversations With Two-month Oldsmentioning
confidence: 99%
“…Comparison of the behaviours of infants and mothers with the elements of song and performances with musical instruments makes clear that there are fundamental temporal and affective principles at work in music and protoconversation, and that the infant shares expectations of how these principles should be shared to make a dialogue or duet (Papoušek & Papoušek 1981;Papoušek 1994;Stern 1984. A common rhythmic sense or 'Intrinsic Motive Pulse' Osborne 2009a), the appreciation of a scale of pitch, and sensitivity to the timbre or quality of vocalizations are all shared by infant and adult Marwick & Murray 2009;Powers & Trevarthen 2009).…”
Section: Protoconversations With Two-month Oldsmentioning
confidence: 99%