The Wiley Blackwell Companion to Religion and Peace 2022
DOI: 10.1002/9781119424420.ch49
|View full text |Cite
|
Sign up to set email alerts
|

Mediation, Peacebuilding, Arts, and Religion

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2022
2022
2022
2022

Publication Types

Select...
1
1

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 16 publications
0
1
0
Order By: Relevance
“…The relevant question that needed to be explored was rather; what kind of art is being used and practiced and what mediators do with them? After con ducting over 60 interviews, I came to the conclusion, that not only are art and cultural ele ments already "there" but that the "good" mediators are using it when they deem it appro priate; be that to include a shaman at a certain stage in the process or having a poet as part of the mediation team to bridge the gap between different armed movements (Käser and Mitchell 2021). 7 The final report highlights the key themes of timing, power hierarchies, and access, sketch ing out examples where art "worked", while also drawing attention to potential pitfalls when working with art in conflict landscapes.…”
Section: Isabel Käser Visiting Fellow London School Of Economicsmentioning
confidence: 99%
“…The relevant question that needed to be explored was rather; what kind of art is being used and practiced and what mediators do with them? After con ducting over 60 interviews, I came to the conclusion, that not only are art and cultural ele ments already "there" but that the "good" mediators are using it when they deem it appro priate; be that to include a shaman at a certain stage in the process or having a poet as part of the mediation team to bridge the gap between different armed movements (Käser and Mitchell 2021). 7 The final report highlights the key themes of timing, power hierarchies, and access, sketch ing out examples where art "worked", while also drawing attention to potential pitfalls when working with art in conflict landscapes.…”
Section: Isabel Käser Visiting Fellow London School Of Economicsmentioning
confidence: 99%