2021
DOI: 10.1177/0267323121999523
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Media ownership transparency in Europe: Closing the gap between European aspiration and domestic reality

Abstract: This article examines media ownership transparency through the lens of European human rights policy and evaluates media ownership transparency in over 30 European countries based on data returned to the Media Pluralism Monitor. Using these data, we examine the existence and quality of two types of disclosure, ‘upwards’, to public bodies and ‘downwards’, directly to the public, enabling both the monitory and informational functions of ownership transparency to be fulfilled. We conclude that regulation is patchy… Show more

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Cited by 8 publications
(10 citation statements)
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“…This study underscores, as several authors have previously highlighted that transparency alone does not deliver the expected outcomes: it is necessary yet insufficient (Craufurd Smith et al, 2021;Meier & Trappel, 2022). By examining the data, it becomes evident that a role remains for regulation and public policies in an era of transparency.…”
Section: Discussionmentioning
confidence: 53%
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“…This study underscores, as several authors have previously highlighted that transparency alone does not deliver the expected outcomes: it is necessary yet insufficient (Craufurd Smith et al, 2021;Meier & Trappel, 2022). By examining the data, it becomes evident that a role remains for regulation and public policies in an era of transparency.…”
Section: Discussionmentioning
confidence: 53%
“…Transparency is thus a complex and multidimensional concept, which can impact media production conditions such as ownership (Craufurd Smith et al, 2021), journalistic media production (Miranda & Camponez, 2022) and media distribution through algorithmic platforms (Diakopoulos & Koliska, 2017). It is also a principle and a challenge, given the numerous obstacles to its actualisation: intricate ownership mechanisms aggravated by the global movement of financial flows, the inefficiencies and resistance within journalistic institutions or the algorithmic platformisation of society and cultural production (Poell et al, 2022).…”
Section: Transparency In the Mediamentioning
confidence: 99%
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