2021
DOI: 10.1186/s13635-021-00117-2
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Media forensics on social media platforms: a survey

Abstract: The dependability of visual information on the web and the authenticity of digital media appearing virally in social media platforms has been raising unprecedented concerns. As a result, in the last years the multimedia forensics research community pursued the ambition to scale the forensic analysis to real-world web-based open systems. This survey aims at describing the work done so far on the analysis of shared data, covering three main aspects: forensics techniques performing source identification and integ… Show more

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Cited by 42 publications
(27 citation statements)
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“…It should be noted that the motivation of content creators can fluctuate within a fairly wide range, and cause the phenomenon of hierarchical regression (Gazit, 2021). The problem is exacerbated by the emergence of technologies that allow users with minimal technological knowledge to generate and distribute dangerous, antisocial, or even criminal content -such as the emergence of new methods of selflearning software that can create high-quality fake images and videos, for example, such software as Deepfakes (Amerini et al, 2021). Moreover, to manage social streams in the Internet space, "bot factories" are actively used today, both in manual mode (like the use of military personnel of the Armed Forces of Ukraine in Ukrainian IPS centers) and in an automated mode -in the form of automated computer online identities (Oehmer & Pedrazzi, 2020), the practice of using which in the domestic Internet space is not sufficiently legislatively regulated today.…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…It should be noted that the motivation of content creators can fluctuate within a fairly wide range, and cause the phenomenon of hierarchical regression (Gazit, 2021). The problem is exacerbated by the emergence of technologies that allow users with minimal technological knowledge to generate and distribute dangerous, antisocial, or even criminal content -such as the emergence of new methods of selflearning software that can create high-quality fake images and videos, for example, such software as Deepfakes (Amerini et al, 2021). Moreover, to manage social streams in the Internet space, "bot factories" are actively used today, both in manual mode (like the use of military personnel of the Armed Forces of Ukraine in Ukrainian IPS centers) and in an automated mode -in the form of automated computer online identities (Oehmer & Pedrazzi, 2020), the practice of using which in the domestic Internet space is not sufficiently legislatively regulated today.…”
Section: Resultsmentioning
confidence: 99%
“…The topic as a whole is quite well developed, especially within the framework of applied research of content: Kozlova (2020); Amerini et al (2021);Effah (2021). Also, the legal aspect of the problem field is being actively investigated - Cabaj et al (2021); Oehmer and Pedrazzi (2020).…”
Section: Problem Statementmentioning
confidence: 99%
“…In doing so, social media is the latest phenomenon of interaction among people through virtual connected networks called social networking sites [38,39]. Social media is referred to as "computer-supported social networks" (CSSNs) [40], online social networking services [41], social networking sites (SNS) [42], social websites [43], social media platforms [44], virtual communities [45], and Web 2.0 [46]. Facebook is the most popular social media platform all over the world (except in restricted countries and territories) based on user statistics, and as of January 2021, the total number of users of Facebook was 2.740 billion, followed by YouTube (2.291 billion users) (Statistica, 2021) [47].…”
Section: Literature Review-circular Economy Social Media and Re-commercementioning
confidence: 99%
“…Videos are typically compressed as sequence of groups of pictures (GOP), each of which is made by an alternation of three different kinds of frames: I-frames, which are not derived from any other frame and are independently encoded using a process similar to JPEG compression, and P-frames and B-frames, which are predictively encoded using motion estimation and compensation. While the algorithms used by social platforms are not known, all of these operations leave traces that can be detected [4,6,7,18,19] and, since they typically differ between different platforms [19][20][21], they can be used to distinguish between distinct social networks. According to the survey by Pasquini et al [21], we can identify two main possible steps in the digital life of a media object shared online, namely the acquisition and the upload.…”
Section: Related Workmentioning
confidence: 99%
“…While the algorithms used by social platforms are not known, all of these operations leave traces that can be detected [4,6,7,18,19] and, since they typically differ between different platforms [19][20][21], they can be used to distinguish between distinct social networks. According to the survey by Pasquini et al [21], we can identify two main possible steps in the digital life of a media object shared online, namely the acquisition and the upload. Initially, a real scene is captured through an acquisition device, then, a number of post-processing operations such as resizing, filtering, compressions, cropping, semantic manipulations may be applied.…”
Section: Related Workmentioning
confidence: 99%