A Media Epigraphy of Video Compression 2023
DOI: 10.1007/978-3-031-33215-9_2
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Media Epigraphy: Format, Trace, and Failure

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Cited by 2 publications
(2 citation statements)
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“…Despite both the scientific and humanities disciplines understanding the value of data stored on obsolete formats, most institutions sorely underutilize these collections, again centering preservation and migration efforts towards more high‐profile materials and collections such as rare books and manuscripts (Ordelman et al, 2019). Scholars argue that part of the reason valuable data takes precedent over the uniqueness and complexity of formats often has more to do with the expertise to use data production tools, broader access to technologies in producing information, and infrastructure to hold and treat equal all formats (Jancovic et al, 2019). As such, the obligations for format preservation and the curation of data associated with these formats became a dispersed endeavor.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Despite both the scientific and humanities disciplines understanding the value of data stored on obsolete formats, most institutions sorely underutilize these collections, again centering preservation and migration efforts towards more high‐profile materials and collections such as rare books and manuscripts (Ordelman et al, 2019). Scholars argue that part of the reason valuable data takes precedent over the uniqueness and complexity of formats often has more to do with the expertise to use data production tools, broader access to technologies in producing information, and infrastructure to hold and treat equal all formats (Jancovic et al, 2019). As such, the obligations for format preservation and the curation of data associated with these formats became a dispersed endeavor.…”
Section: Literature Reviewmentioning
confidence: 99%
“…5. The term "format" is intentionally borrowed from communication and media studies where it is well established (Jancovic et al 2020) but also finds mention in Dirk Baecker's critique of the German Stadttheater (2011).…”
mentioning
confidence: 99%