Media Across Borders

Esser, Andrea; Bernal-Merino, Miguel Á.; Smith, Iain

doi:10.4324/9781315749983

Cited by 36 publications

(4 citation statements)

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“…Finally, the research for this article suggests that the dominant theories of trade flows, based on notions of cultural discount and geo-linguistic, or geo-cultural markets only hold to a certain degree. This has always been the case, as I have argued elsewhere (Esser, 2016). However, with the increasing transnationalisation in the production, distribution and consumption of televisual entertainment, calls for revisions of the above concepts and theories are likely to grow.…”

Section: Outlook and Conclusionmentioning

confidence: 61%

Form, platform and the formation of transnational audiences

Esser

2017

Critical Studies in Television: The International Journal of Te

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This article combines analysis of form, platform and audiences for a holistic understanding of how Danish series entered the global trade in TV fiction. Building on existing research on form and production values it adds a wide-ranging empirical case study, exploring the specific local conditions that led to the introduction of Danish series in the UK in 2011 and subsequent growth in UK audiences for Danish and other subtitled TV series. It reveals the multiplicity of factors contributing to the success of the early Danish serial imports, the interdependence of form, platform and audiences, and the imperative to rethink dominant theories of international programme flows.

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Section: Outlook and Conclusionmentioning

confidence: 61%

Form, platform and the formation of transnational audiences

Esser

2017

Critical Studies in Television: The International Journal of Te

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“…En la actualidad, la sociedad demanda y consume una gran cantidad de productos audiovisuales como películas o videojuegos, razón por la que existen numerosos estudios de traducción audiovisual (Agost, 1996;Díaz Cintas, 2002;Chaume, 2012;Chaume, 2016;Castro Roig, 2020). Debido al mundo globalizado en el que vivimos, este se ha convertido en un campo necesario y que despierta gran interés, también como objeto de estudio.…”

Section: La Traducción Audiovisualunclassified

“…Actualmente, la traducción de canciones es un campo que ha suscitado escasa atención en los estudios de traducción (Gorlée, 2005;Low, 2005;Franzon, 2008;Bosseaux, 2011;Desblache, 2019) y son recientes los que inciden en su traducción en el ámbito audiovisual (Chaume, 2016;León, 2019).…”

Section: Introductionunclassified

La traducción de canciones en películas: análisis contrastivo de géneros cinematográficos

Acebo

Martínez

2021

Estud. trad.

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Desde los inicios del cine, el contenido musical ha desempeñado un papel fundamental. La música y las canciones son una parte esencial de los productos cinematográficos, especialmente en determinados géneros. El presente artículo realiza un análisis contrastivo de un corpus de doce películas del género de animación infantil y no infantil, musical, comedia romántica y suspense en torno a la modalidad y las estrategias de traducción empleadas según los elementos que priman en cada canción, tales como la rima, la fidelidad o el significado. Los resultados muestran una tendencia al doblaje de canciones en películas destinadas a público infantil, subtitulado de canciones en películas destinadas a público no infantil y no traducción de canciones de la banda sonora no originales.

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“…Studying cultural bumps and how these are circumvented by adapting cultural artefacts is part of the broader study of localization. Even though the research of localization is also greatly in need of the perspective of the audience (Esser et al, 2016a), its small existing body of research provides us with some interesting research questions and findings.…”

Section: Integrating Audience Research In the Field Of Remake Studiesmentioning

confidence: 99%

Originality versus proximity: An explorative study of audience reactions to monolingual film remakes

Cuelenaere

2020

International Journal of Cultural Studies

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Striving for a more holistic approach of the field that studies film remakes, this article analyses the reception context of the monolingual film remake practice in the Low Countries. Instead of assuming how audiences define, perceive, experience, and evaluate Dutch-Flemish film remakes, this article explores these aspects empirically by analysing data from four focus groups. Given the cultural proximity between the Netherlands and Flanders, the study equally inquires if (and why) Dutch and Flemish audiences prefer their local film versions. It is found that participants do not share a common definition of the artefact and understand the label differently from scholars or people working in the industry. Participants were highly critical of film remakes and generally preferred the local version. However, it appeared that the latter depended on whether they knew which version was the ‘original’.

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Media Across Borders

Cited by 36 publications

References 0 publications

Form, platform and the formation of transnational audiences

Form, platform and the formation of transnational audiences

La traducción de canciones en películas: análisis contrastivo de géneros cinematográficos

Originality versus proximity: An explorative study of audience reactions to monolingual film remakes

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