2002
DOI: 10.1016/s0167-6393(01)00072-3
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Measuring the effect of fundamental frequency raising as a strategy for increasing vocal intensity in soft, normal and loud phonation

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Cited by 44 publications
(30 citation statements)
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“…And the level of increase is consistent with other experiments, although the range of intensity values varies across studies [17,18,61,62]. Similarly, the increase in mean F0 from conversational to loud condition of approximately 37 Hz is consistent with data from healthy speakers in other experiments [62] and the increase was expected, given that F0 tends to rise naturally as intensity is increased [14,17,18]. …”
Section: Discussionsupporting
confidence: 87%
See 1 more Smart Citation
“…And the level of increase is consistent with other experiments, although the range of intensity values varies across studies [17,18,61,62]. Similarly, the increase in mean F0 from conversational to loud condition of approximately 37 Hz is consistent with data from healthy speakers in other experiments [62] and the increase was expected, given that F0 tends to rise naturally as intensity is increased [14,17,18]. …”
Section: Discussionsupporting
confidence: 87%
“…Increased vocal intensity is achieved primarily with increased lung pressure [13,14], requiring increased vocal fold tension to offset the increased aerodynamic pressure [15,16]. As a result, F0 naturally increases as intensity is increased [14,17,18], making the production of vocal fry, with its low F0, an inefficient mode of vibration.…”
Section: Introductionmentioning
confidence: 99%
“…14 It has been proposed that this structural difference may cause children to be more prone to tissue reactions because of vocal abuse. [15] and [16] In adult voices, high background noise levels have been found to influence several vocal parameters such as loudness, subglottal pressure, 17 fundamental frequency, [18], [19], [20], [21], [22] and [23] and voice quality. 24 Does the same pattern apply also for children?…”
Section: Introductionmentioning
confidence: 99%
“…In the second part, the emphasis was on the analysis of AQ and NAQ, using data with large dynamic variation in order to shed light especially on the control of the extremes of the dynamic range. Results from a previous paper [5] were used as a background for the interpretation of the results. Because earlier analyses revealed non-linearities, the 60-dB dynamic range was divided into three 20-dB categories (soft, normal and loud).…”
Section: Introductionmentioning
confidence: 99%