Visions of Politics
DOI: 10.1017/ccol0521581052.004
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Meaning and understanding in the history of ideas

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Cited by 221 publications
(281 citation statements)
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“…[Second,] [i]f there is good reason to insist that we can only study an idea by seeing the nature of all the occasions and activities -the language games -within which it might appear, then there must be correspondingly good reason to insist that the project of studying histories of 'ideas,' tout court, must rest on a fundamental philosophical mistake. 47 Skinner is only able to reach his two criticisms through conflation of 'idea' with 'word' or 'phrase'.48 This conflation is manifest in the passage on nobilitas, where he promises to consider 'the attempt to write the history of the idea of nobilitas in the Renaissance' but proceeds to show the two diffferent 'meaning[s] of the term'. 49 We can well agree that the history of a mere word (a certain combination of letters) should not be called the history of an idea, but it is quite a jump from there to the conclusion that histories of ideas are themselves intrinsically flawed.…”
Section: Contextmentioning
confidence: 99%
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“…[Second,] [i]f there is good reason to insist that we can only study an idea by seeing the nature of all the occasions and activities -the language games -within which it might appear, then there must be correspondingly good reason to insist that the project of studying histories of 'ideas,' tout court, must rest on a fundamental philosophical mistake. 47 Skinner is only able to reach his two criticisms through conflation of 'idea' with 'word' or 'phrase'.48 This conflation is manifest in the passage on nobilitas, where he promises to consider 'the attempt to write the history of the idea of nobilitas in the Renaissance' but proceeds to show the two diffferent 'meaning[s] of the term'. 49 We can well agree that the history of a mere word (a certain combination of letters) should not be called the history of an idea, but it is quite a jump from there to the conclusion that histories of ideas are themselves intrinsically flawed.…”
Section: Contextmentioning
confidence: 99%
“…47 Skinner is only able to reach his two criticisms through conflation of 'idea' with 'word' or 'phrase'.48 This conflation is manifest in the passage on nobilitas, where he promises to consider 'the attempt to write the history of the idea of nobilitas in the Renaissance' but proceeds to show the two diffferent 'meaning[s] of the term'. 49 We can well agree that the history of a mere word (a certain combination of letters) should not be called the history of an idea, but it is quite a jump from there to the conclusion that histories of ideas are themselves intrinsically flawed.…”
Section: Contextmentioning
confidence: 99%
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“…Moreover, belief in the value of the canon had rested, he suggested, on a series of questionable pre-judgements 'about the defining characteristics of the discipline to which the writer is supposed to have contributed.' 1 In opposition to what he termed the 'mythology' of the canon, Skinner's counter-proposition was straightforward.Drawing inspiration from the historical method proposed by RG Collingwood and the philosophy of the later Wittgenstein and JL Austin, he urged historians of political thought to focus on the meaning and use that texts had at the time they were written.Rather than read classic texts in terms of their relation to so-called 'canonical doctrines', Skinner argued that texts should be read in relation to the specific questions and problems with which their authors and readers were concerned. 2 In this light, the historian's dissatisfaction with what he took to be the then dominant approach to the interpretation of, for example, Descartes' Meditations 'stems from the fact that it leaves us without any sense of the specific question to which Descartes may have intended his doctrine of certainty as a solution.'…”
mentioning
confidence: 99%
“…Moreover, belief in the value of the canon had rested, he suggested, on a series of questionable pre-judgements 'about the defining characteristics of the discipline to which the writer is supposed to have contributed.' 1 In opposition to what he termed the 'mythology' of the canon, Skinner's counter-proposition was straightforward.…”
mentioning
confidence: 99%