Abstract:Bernard Herrmann’s music for Hitchcock’s Psycho plays a crucial role in implementing the relentless move towards mayhem and madness which is characteristic of this film, as well as in creating distorted reflections between sanity and madness. In this article, I claim that the former aspect is expressed by a gradual move from tonal towards “mistuned” and then atonal harmonic objects, while the distorted mirror relationship is suggested by a number of subtle correspondences (both similarities and differences) be… Show more
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